by George Klein with Chuck Crisafulli ‧ RELEASE DATE: Jan. 5, 2010
A respectful, personal assessment of Presley’s character, even though it adds little new to the body of Elvis knowledge.
A fond remembrance of the King of Rock ’n’ Roll from a longtime member of his entourage, assisted by entertainment journalist Crisafulli (co-author: Me and a Guy Named Elvis, 2006, etc.)
As early as 1948, when they were classmates at Humes High School in Memphis and Elvis played “Old Shep” and “Cold Icy Fingers” in a classroom, Klein sensed that Presley would amount to something big. So when he began an apprenticeship at a local radio station, Klein made sure to get early copies of the epochal singles Presley recorded for Sun Records. (The author claims to be the second person to play Elvis on the radio.) Elvis never forgot that early support, and when he became a full-blown phenomenon in 1957 he asked Klein to assist him on the road. Much of Klein’s labor as an early member of the Memphis Mafia was mundane—he was in charge of minding Elvis’s gold suit, for instance—and he eventually abandoned life as a hanger-on to pursue a successful career as a regional DJ and TV host. But their friendship was intimate enough that he consoled Elvis when his beloved mother died, and he had enough clout in 1969 to demand that Elvis pick better songs for himself—an insistence that led to the sessions that produced classics like “Suspicious Minds” and “Long Black Limousine.” Elvis was the best man at Klein’s wedding a year later, and Klein is clearly disinterested in writing ill of a man who performed such a kindness for him. Even the dishier parts of the memoir have a tempered, innocent tone, as when he and a friend were busted by Elvis for spying on a tryst between him and Ann-Margret. Klein’s story isn’t wholly toothless, however. His long experience in the music industry gives him a keen eye for the manipulations of Elvis’ manager, Colonel Tom Parker, and how his obsession with the bottom line eroded his client’s ambitions, and the author displays admirable candor in describing his and his cohorts’ failure to help Elvis halt the unhealthy behavior that eventually killed him.
A respectful, personal assessment of Presley’s character, even though it adds little new to the body of Elvis knowledge.Pub Date: Jan. 5, 2010
ISBN: 978-0-307-45274-0
Page Count: 320
Publisher: Crown
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 2009
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by Ludwig Bemelmans ‧ RELEASE DATE: Feb. 23, 1955
An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.
Pub Date: Feb. 23, 1955
ISBN: 0670717797
Page Count: -
Publisher: Viking
Review Posted Online: Oct. 25, 2011
Kirkus Reviews Issue: Feb. 1, 1955
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