Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

Next book

GYPSIES OF THE ROAD

THE GREASY SPOON

A story with a well-developed protagonist who becomes more appealing as he overcomes obstacles.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

In L.G.’s debut drama, a divorced man finds his calling as a truck driver, as the open road provides an escape from a life that’s been defined by failure.

Forty-something Sam Yost is stunned when his wife and the mother of his children, Chrystal, announces that she’s leaving him—and that she’d planned to do so for years. Tired of construction work and wanting a change of scenery, Sam becomes inspired by his brother-in-law and roommate Doug’s occupation as a truck driver, and he aims to become one himself. He takes a course to earn a commercial driver’s license; back in high school, he used to perform poorly on tests, and now he’s anxious about his instructor’s scrutiny from the passenger’s seat. Nevertheless, Sam prevails, but he’s soon faced with tribulations on the road, such as witnessing the aftermath of a horrific car collision and dealing with his truck sliding on ice. He takes solace in frequenting truck-stop diners, as the food reminds him of his tenderhearted mom, who used to console him with home-cooked meals. A waitress catches his eye, but he’s anxious about asking her out. He eventually realizes that all he needs is confidence, which is something that he has when he’s behind the wheel. The author smartly details the basics of operating a truck in lengthy sections devoted to Sam’s driving class; he does so by contrasting trucks with smaller vehicles—noting, for instance, the difference between air brakes and the better-known hydraulic variety. This amplifies certain scenes, including an unnerving moment when Sam nearly loses control of his rig during a turn onto an interstate. However, the story is at its best when it highlights the protagonist’s internal strife. Sam is shown to be socially awkward and possibly dyslexic, and the author draws on his protagonist’s recurrent childhood memories to show how he slowly gains self-respect in later life. With all this in mind, this is a surprisingly upbeat tale, as Sam revels in tiny victories: “Finding good diners on the road was kind of like finding a long-lost friend.”

A story with a well-developed protagonist who becomes more appealing as he overcomes obstacles.

Pub Date: Nov. 17, 2017

ISBN: 978-1-4575-5901-3

Page Count: 234

Publisher: Dog Ear Publishing

Review Posted Online: Nov. 14, 2017

Categories:

Awards & Accolades

Likes

  • Readers Vote
  • 59


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • National Book Award Finalist

Next book

A LITTLE LIFE

The phrase “tour de force” could have been invented for this audacious novel.

Awards & Accolades

Likes

  • Readers Vote
  • 59


Our Verdict

  • Our Verdict
  • GET IT


  • Kirkus Reviews'
    Best Books Of 2015


  • Kirkus Prize
  • Kirkus Prize
    winner


  • National Book Award Finalist

Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.

Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.  

The phrase “tour de force” could have been invented for this audacious novel.

Pub Date: March 10, 2015

ISBN: 978-0-385-53925-8

Page Count: 720

Publisher: Doubleday

Review Posted Online: Dec. 21, 2014

Kirkus Reviews Issue: Jan. 1, 2015

Categories:
Next book

THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

Categories:
Close Quickview