by George Leone ‧ RELEASE DATE: Nov. 18, 2014
A welcome, rigorous contribution to Kierkegaard-ian scholarship.
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A searching account of the self in Kierkegaard’s work.
Leone has been grappling with Kierkegaard for the bulk of his adult life. Now, with a Ph.D. and Doctor of Theology degree in hand, he captures that long-standing engagement. Kierkegaard’s complex legacy has been claimed by two often strikingly disjunctive traditions: the Christian and the existential. Leone, however, argues that a sensitive reading of the Danish philosopher reveals that the two strains are inseparable, producing an inclusive view of the self that is aware of its worldly manifestations as well as its spiritual relationship to the absolute. “God is the absolute,” he says, “but love, often associated with God, either as God’s love for us or our love for God, is in the realm of the universal.” The theological self crescendos in human spirituality in its relation to the absolute, and the existential self asserts its being free of any independent or external frameworks. “We are not manifestations of any objective overarching reality, such as what the great systems represent, whether religious, political, philosophical, or social,” Leone writes. Kierkegaard presented this dialectical rendering of the self as a dialogue between Socrates and Jesus—representing “the two poles of his existence”—which Leone examines as evidence of Kierkegaard’s complex personality. Along the way, Leone astutely tackles some of the central topics in Kierkegaard’s often esoteric body of work, including his unconventional view of God, his radical interpretation of faith, and his groundbreaking view of ethics, which turn out to be demanding but unencumbered by normative standards. What emerges from this analysis is a lively portrait of a philosopher who understood better than any philosopher before him the basic paradox of the self. Leone’s prose is refreshingly lucid for what is essentially an academic monograph. Still, the scholarly aims require a close read, so this may be challenging for those not accustomed to dense, research-heavy literature.
A welcome, rigorous contribution to Kierkegaard-ian scholarship.Pub Date: Nov. 18, 2014
ISBN: 978-1491743614
Page Count: 152
Publisher: iUniverse
Review Posted Online: June 26, 2015
Kirkus Reviews Issue: Aug. 1, 2015
Review Program: Kirkus Indie
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by Timothy Paul Jones ‧ RELEASE DATE: Sept. 1, 2005
Worthwhile reference stuffed with facts and illustrations.
A compendium of charts, time lines, lists and illustrations to accompany study of the Bible.
This visually appealing resource provides a wide array of illustrative and textually concise references, beginning with three sets of charts covering the Bible as a whole, the Old Testament and the New Testament. These charts cover such topics as biblical weights and measures, feasts and holidays and the 12 disciples. Most of the charts use a variety of illustrative techniques to convey lessons and provide visual interest. A worthwhile example is “How We Got the Bible,” which provides a time line of translation history, comparisons of canons among faiths and portraits of important figures in biblical translation, such as Jerome and John Wycliffe. The book then presents a section of maps, followed by diagrams to conceptualize such structures as Noah’s Ark and Solomon’s Temple. Finally, a section on Christianity, cults and other religions describes key aspects of history and doctrine for certain Christian sects and other faith traditions. Overall, the authors take a traditionalist, conservative approach. For instance, they list Moses as the author of the Pentateuch (the first five books of the Hebrew Bible) without making mention of claims to the contrary. When comparing various Christian sects and world religions, the emphasis is on doctrine and orthodox theology. Some chapters, however, may not completely align with the needs of Catholic and Orthodox churches. But the authors’ leanings are muted enough and do not detract from the work’s usefulness. As a resource, it’s well organized, inviting and visually stimulating. Even the most seasoned reader will learn something while browsing.
Worthwhile reference stuffed with facts and illustrations.Pub Date: Sept. 1, 2005
ISBN: 978-1-5963-6022-8
Page Count: -
Publisher: N/A
Review Posted Online: May 23, 2010
Review Program: Kirkus Indie
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by Albert Camus ‧ RELEASE DATE: Sept. 26, 1955
This a book of earlier, philosophical essays concerned with the essential "absurdity" of life and the concept that- to overcome the strong tendency to suicide in every thoughtful man-one must accept life on its own terms with its values of revolt, liberty and passion. A dreary thesis- derived from and distorting the beliefs of the founders of existentialism, Jaspers, Heldegger and Kierkegaard, etc., the point of view seems peculiarly outmoded. It is based on the experience of war and the resistance, liberally laced with Andre Gide's excessive intellectualism. The younger existentialists such as Sartre and Camus, with their gift for the terse novel or intense drama, seem to have omitted from their philosophy all the deep religiosity which permeates the work of the great existentialist thinkers. This contributes to a basic lack of vitality in themselves, in these essays, and ten years after the war Camus seems unaware that the life force has healed old wounds... Largely for avant garde aesthetes and his special coterie.
Pub Date: Sept. 26, 1955
ISBN: 0679733736
Page Count: 228
Publisher: Knopf
Review Posted Online: Sept. 19, 2011
Kirkus Reviews Issue: Sept. 1, 1955
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