by George Orwell & edited by Peter Davison ‧ RELEASE DATE: Aug. 20, 2012
Editor Davison (English/De Montfort Univ.) supplies necessary contextual information and footnotes generously, but stays in...
A co-editor of George Orwell’s Complete Works offers a lushly annotated edition of Orwell’s diaries from 1931 to 1949.
Born Eric Arthur Blair, Orwell, as these diaries reveal, lived a varied and even dichotomized life. A reader who visited the majority of these pages could never guess that they recorded the activities of the author of Animal Farm, Keep the Aspidistra Flying and 1984, a book he completed while suffering from the tuberculosis that would kill him. (Among the most poignant pages here are Orwell’s lists of his hospital routines just weeks before he died.) Many of the author’s entries deal with his activities on his farm. We learn how many eggs his hens laid each day, his battles with hungry rabbits and deer, his killing of the occasional snake, his observations of the weather, and his maintenance of the property. One moment of great excitement was his near-death in a whirlpool in the Gulf of Corryvreckran. Earlier sections of the diary deal with his abject poverty in the 1930s. He traveled around picking hops (a process he describes in some detail); he was down and out in Paris and London; he traveled to the Mediterranean. In all these places, he noted human customs and flora and fauna. In 1939, Orwell kept daily track of events that were leading toward world war but interwove odd moments about earwigs, a dead cat and the properties of goat manure. In the diary he kept during World War II, he found himself becoming accustomed to continual bombing in London. He joined the Home Guard but noted that their rickety weapons would hardly retard the expected German invasion.
Editor Davison (English/De Montfort Univ.) supplies necessary contextual information and footnotes generously, but stays in the shadows and allows us to truly enjoy Orwell’s impressive chronicles.Pub Date: Aug. 20, 2012
ISBN: 978-0-871-40410-7
Page Count: 608
Publisher: Liveright/Norton
Review Posted Online: May 5, 2012
Kirkus Reviews Issue: May 15, 2012
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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