by George Orwell ; edited by Peter Davison ‧ RELEASE DATE: Aug. 12, 2013
Illuminates Orwell’s political convictions and gives fleeting but vivid glimpses of his personal qualities.
A representative selection, culled from the 20-volume Complete Works, which Davison co-edited, of correspondence by and to 20th-century England’s fiercest literary opponent of totalitarianism.
There are very few letters from the childhood of Eric Blair (Orwell’s real name) and none from the years as an imperial policeman in Burma that formed his anticolonial and socialist views; the collection really begins in 1934, not long after the publication of Down and Out in Paris and London introduced the 31-year-old author under the pen name George Orwell. Most are by Orwell himself, but gaps in the historical record are filled by correspondence from others. The letters of his first wife, Eileen O’Shaughnessy, are particularly valuable; livelier and much more personal than the author’s, they give intimate glimpses of the couple’s home life and sometimes-fraught relationship. Their warmth makes palpable the awful loss inflicted by 39-year-old Eileen’s death during surgery in 1945, a trauma only hinted at in Orwell’s dignified, reticent account of the event. In general, he is a brisk, businesslike correspondent; among the few exceptions are affectionate references to his adopted son and a few emotional 1946 letters to his London neighbor Anne Popham, which add some nuance to the 2007 controversy over charges that Orwell’s wooing style was aggressively close to rape. Readers seeking insights into the creation of Animal Farm or 1984 will find only a few scattered sentences, and nonfiction, such as The Road to Wigan Pier, is similarly referred to mostly in passing. The correspondence does convey Orwell’s strong, principled political positions, especially his revulsion against fellow leftists who “set up a double standard of political morality, one for the U.S.S.R. and the other for the rest of the world.” Grim letters chronicling the worsening tuberculosis that killed him remind us how prematurely we lost this ardent voice for a single standard of truthfulness and common decency.
Illuminates Orwell’s political convictions and gives fleeting but vivid glimpses of his personal qualities.Pub Date: Aug. 12, 2013
ISBN: 978-0-87140-462-6
Page Count: 560
Publisher: Liveright/Norton
Review Posted Online: May 11, 2013
Kirkus Reviews Issue: June 1, 2013
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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