Ornate, Shakespeare-esque diction often subverts clarity. But such meticulously researched throat-clearing may lure readers...
Antiquarian-books dealer Minkoff chronicles the founding of the Virginia colony, sometimes too exhaustively, in this first volume of the planned In the Land of Whispers trilogy.
Here we meet the major players, including Captain John Smith, Native American emperor Powhatan and his favorite daughter, Pocahontas. Casting his formidable shadow over the privately financed establishment of Jamestown in 1607 is Sir Francis Drake, whose late-16th-century exploits are related as extended campfire yarns by an ancient mariner, Drake’s erstwhile shipmate, Jonas Profit. Captain John Smith (his rank was earned while fighting the Turks for Zsigmond, King of Transylvania) is rankled by his fellow Englishmen’s sloth and preening sense of privilege. Gentlemen among the would-be colonists shun work, so constructing fortifications and shelter, cultivating crops and dealing with the vassal tribes of duplicitous Chief Powhatan are largely left to Smith and his embattled supporters. Although appointed by investors as one of a seven-member colonial council, he’s under accusation of mutiny for volunteering advice during the crossing to America. Ratcliffe, gentleman avatar of rapacious, exploitative colonialism, challenges Smith for control of the settlement. Drake, a humanitarian revered by Smith and Profit, manages to steal Spanish gold and grow fabulously rich while also acting as an avenging angel for the Spaniard-oppressed African slaves and indigenous peoples of Panama. When Drake is aided by the Cimarrones, a band of escaped slaves, he gives them the future site of the Roanoke colony as refuge. No trace of Roanoke remains other than rumors among Chesapeake tribes of the so-called Ocanahonan. Smith yearns chastely for Pocahontas (not really jailbait, he assures us), becomes a sub-chief, or werowance, and decamps on explorations even though he knows Jamestown will starve without his practical know-how. At the end, he’s resisting (though not very strenuously) deification by a new tribe.
Ornate, Shakespeare-esque diction often subverts clarity. But such meticulously researched throat-clearing may lure readers to the future installments, in which the straggly threads of narrative introduced here will, one hopes, come together.Pub Date: Dec. 1, 2006
ISBN: 0-929701-80-1
Page Count: 392
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 1, 2006
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
IN THE NEWS
SEEN & HEARD
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her...
Another middle-aged mom in a muddle.
After years of false starts and big hopes, Elizabeth’s ruggedly handsome husband Jack, a former football star, just landed a spot as a sportscaster on national news. He still loves her, even though much younger women are giving him come-hither looks. Heck, he doesn’t want to betray the love of his life after she helped him kick drugs and stuck by him even when he was a struggling has-been. And won’t it seem hypocritical if he fools around with his sexy assistant while he does in-depth reporting on a rape case involving a famous basketball center? Well, he fools around anyway. Elizabeth, nicknamed Birdie, knows nothing of this, but she withdraws from Jack when her hard-drinking, salt-of-the-earth father has a stroke and dies. Now no one will call her “sugar beet” ever again. Time to return home to Tennessee and contend with Anita, the sort-of-evil stepmother so trashy she wears pink puffy slippers all day long. Naturally, it turns out that Anita actually has a heart of gold and knows a few things about Birdie’s dead mother that were hushed up for years. Mom was an artist, just like Birdie, and an old scandal comes to light as Anita unrolls a vibrant canvas that portrays her secret lover. Perhaps, Birdie muses, her mother died of heartbreak, never having followed her true love or developed her talent. Has she, too, compromised everything she holds dear? Hoping to find out, Birdie joins a support group that promises to reconnect confused women with their passion. She and Jack separate, prompting a how-dare-you fit from their grown daughters. Will Birdie fly her empty nest? Will she go back to college for a degree in art? Will her brooding watercolors ever sell?
Soft-focus story moves right along with few surprises. This time around, Hannah avoids the soap-opera complications of her previous tales (Summer Island, 2001, etc.).Pub Date: July 1, 2002
ISBN: 0-345-45071-X
Page Count: 352
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2002
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