Shaffner’s first is far from flawless, but its quirky charm and feminist slant could make it a surprise bestseller.
In this winsome fable, a mysterious stranger blows into town, bringing hope to the father of a dying girl.
Ebb, Nebraska, is an unusual small town. Its vibrant downtown is anchored by one of the last family-owned department stores in the state (Wal-Mart is the bogeyman). Its townspeople are effortlessly nice. Many are businesswomen and divorcées, including narrator Wilma Porter, an ebullient grandmother and owner of a classy B&B. One fine day, an elegantly attired gent with prematurely white hair asks for a room. Vernon Moore claims to be a traveling salesman of games of chance, but nobody believes such an anachronism still exists. Vernon, however, exudes integrity and quickly gets a meeting with department store owner Calvin Millet. The unlucky Calvin’s 11-year-old daughter, Lucy, has an incurable disease, and banker Clem Tucker (“a hard, tough man,” says Wilma) is about to call in loans to the store, necessitating its sale. It’s time for the charismatic Vernon to go to work. Besides straightening out Clem, he persuades Calvin—in conversations that make up the heart of the story—to replace fear with hope. Nothing can stop Lucy’s death, but she can die with dignity (deciding herself when to stop her medication), and in hope, if she and Calvin both believe in an afterlife. Vernon’s ingenious pitch for the likelihood of multiple lives might give even a robust skeptic pause, though the inevitable schmaltz-effect (there’s more than an echo here of Capra’s It’s a Wonderful Life) of the struggle to get a distraught man to think positive is offset by a bracing commonsense and refusal to ignore ugly realities (death, divorce, and Wal-Mart). As for the mystery of Vernon’s origins, newcomer Shaffner wisely leaves that question unresolved. Vernon makes strong use of ghosts in his arguments; hey, he might even be one himself.
Shaffner’s first is far from flawless, but its quirky charm and feminist slant could make it a surprise bestseller.Pub Date: Oct. 15, 2004
ISBN: 1-565-12440-5
Page Count: 304
Publisher: Algonquin
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 1, 2004
A modern day fable, with modern implications in a deceiving simplicity, by the author of Dickens. Dali and Others (Reynal & Hitchcock, p. 138), whose critical brilliance is well adapted to this type of satire. This tells of the revolt on a farm, against humans, when the pigs take over the intellectual superiority, training the horses, cows, sheep, etc., into acknowledging their greatness. The first hints come with the reading out of a pig who instigated the building of a windmill, so that the electric power would be theirs, the idea taken over by Napoleon who becomes topman with no maybes about it. Napoleon trains the young puppies to be his guards, dickers with humans, gradually instigates a reign of terror, and breaks the final commandment against any animal walking on two legs. The old faithful followers find themselves no better off for food and work than they were when man ruled them, learn their final disgrace when they see Napoleon and Squealer carousing with their enemies... A basic statement of the evils of dictatorship in that it not only corrupts the leaders, but deadens the intelligence and awareness of those led so that tyranny is inevitable. Mr. Orwell's animals exist in their own right, with a narrative as individual as it is apt in political parody.
Pub Date: Aug. 26, 1946
ISBN: 0452277507
Page Count: 114
Publisher: Harcourt, Brace
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: Aug. 1, 1946
Jonathan Livingston Kitty, it’s not.
A lonely postman learns that he’s about to die—and reflects on life as he bargains with a Hawaiian-shirt–wearing devil.
The 30-year-old first-person narrator in filmmaker/novelist Kawamura’s slim novel is, by his own admission, “boring…a monotone guy,” so unimaginative that, when he learns he has a brain tumor, the bucket list he writes down is dull enough that “even the cat looked disgusted with me.” Luckily—or maybe not—a friendly devil, dubbed Aloha, pops onto the scene, and he’s willing to make a deal: an extra day of life in exchange for being allowed to remove something pleasant from the world. The first thing excised is phones, which goes well enough. (The narrator is pleasantly surprised to find that “people seemed to have no problem finding something to fill up their free time.”) But deals with the devil do have a way of getting complicated. This leads to shallow musings (“Sometimes, when you rewatch a film after not having seen it for a long time, it makes a totally different impression on you than it did the first time you saw it. Of course, the movie hasn’t changed; it’s you who’s changed") written in prose so awkward, it’s possibly satire (“Tears dripped down onto the letter like warm, salty drops of rain”). Even the postman’s beloved cat, who gains the power of speech, ends up being prim and annoying. The narrator ponders feelings about a lost love, his late mother, and his estranged father in a way that some readers might find moving at times. But for many, whatever made this book a bestseller in Japan is going to be lost in translation.
Jonathan Livingston Kitty, it’s not.Pub Date: March 12, 2019
ISBN: 978-1-250-29405-0
Page Count: 176
Publisher: Flatiron Books
Review Posted Online: Feb. 16, 2019
Kirkus Reviews Issue: March 1, 2019
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