A surprisingly satisfying tribute to the vigor that immigrants bring to the nation’s culture and economy.
The former president takes up brush and pen to portray nearly four dozen immigrants and highlight their contributions.
Bush’s latest book reveals a couple of things. One is that any discussion of immigration reform is likely to be difficult and even a little schizophrenic. The author argues for strongly enforced borders, a thorough reform of the immigration system, and “full assimilation of immigrants into the American economy and culture.” Another is that the former president has, like Dwight Eisenhower, become a serviceable painter in his retirement. The political point is the more important, though Bush protests that he withheld publication until the 2020 election had passed lest any of his subjects become political hostages. As well they might have: One of the immigrants is a Mexican man who arrived illegally as a teenager, worked as a mechanic and painter, and then founded a produce company that nets $60 million per year. Though he became a citizen along the way, that’s just the sort of thing to set a nativist’s blood boiling. Arnold Schwarzenegger, depicted with a horsey grin and an Uncle Sam top hat, subtly addresses those nativists: “I wish every American realized that being born here is the greatest opportunity. You don’t know how lucky you are. And because of that, it’s our duty to do everything in our power to leave a better America to the next generation.” Henry Kissinger and Madeleine Albright take their places alongside a North Korean refugee who works in Bush’s organization and an Iraqi interpreter who legally changed his name to Tony George Bush. A few of Bush’s subjects are of modest achievement, but many, including Dominican baseball star Albert Pujols and Swedish-born golf celebrity Annika Sörenstam, have made outsize marks. The author also includes a two-page flow chart that shows the impossibly complex ways (there are four of them) “to obtain a green card” in the U.S.
A surprisingly satisfying tribute to the vigor that immigrants bring to the nation’s culture and economy.Pub Date: April 20, 2021
ISBN: 978-0-593-13696-6
Page Count: 208
Publisher: Crown
Review Posted Online: April 20, 2021
Kirkus Reviews Issue: May 15, 2021
BOOK REVIEW
A Churchill-ian view of native history—Ward, that is, not Winston—its facts filtered through a dense screen of ideology.
Custer died for your sins. And so, this book would seem to suggest, did every other native victim of colonialism.
Inducing guilt in non-native readers would seem to be the guiding idea behind Dunbar-Ortiz’s (Emerita, Ethnic Studies/California State Univ., Hayward; Blood on the Border: A Memoir of the Contra War, 2005, etc.) survey, which is hardly a new strategy. Indeed, the author says little that hasn’t been said before, but she packs a trove of ideological assumptions into nearly every page. For one thing, while “Indian” isn’t bad, since “[i]ndigenous individuals and peoples in North America on the whole do not consider ‘Indian’ a slur,” “American” is due to the fact that it’s “blatantly imperialistic.” Just so, indigenous peoples were overwhelmed by a “colonialist settler-state” (the very language broadly applied to Israelis vis-à-vis the Palestinians today) and then “displaced to fragmented reservations and economically decimated”—after, that is, having been forced to live in “concentration camps.” Were he around today, Vine Deloria Jr., the always-indignant champion of bias-puncturing in defense of native history, would disavow such tidily packaged, ready-made, reflexive language. As it is, the readers who are likely to come to this book—undergraduates, mostly, in survey courses—probably won’t question Dunbar-Ortiz’s inaccurate assertion that the military phrase “in country” derives from the military phrase “Indian country” or her insistence that all Spanish people in the New World were “gold-obsessed.” Furthermore, most readers won’t likely know that some Ancestral Pueblo (for whom Dunbar-Ortiz uses the long-abandoned term “Anasazi”) sites show evidence of cannibalism and torture, which in turn points to the inconvenient fact that North America wasn’t entirely an Eden before the arrival of Europe.
A Churchill-ian view of native history—Ward, that is, not Winston—its facts filtered through a dense screen of ideology.Pub Date: Sept. 16, 2014
ISBN: 978-0-8070-0040-3
Page Count: 296
Publisher: Beacon Press
Review Posted Online: Aug. 17, 2014
Kirkus Reviews Issue: Sept. 15, 2014
BOOK REVIEW
BOOK TO SCREEN
An unflinching self-portrait.
The tumultuous life of a bisexual, autistic comic.
In her debut memoir, Scottish comedian Brady recounts the emotional turmoil of living with undiagnosed autism. “The public perception of autistics is so heavily based on the stereotype of men who love trains or science,” she writes, “that many women miss out on diagnosis and are thought of as studious instead.” She was nothing if not studious, obsessively focused on foreign languages, but she found it difficult to converse in her own language. From novels, she tried to gain “knowledge about people, about how they spoke to each other, learning turns of phrase and metaphor” that others found so familiar. Often frustrated and overwhelmed by sensory overload, she erupted in violent meltdowns. Her parents, dealing with behavior they didn’t understand—including self-cutting—sent her to “a high-security mental hospital” as a day patient. Even there, a diagnosis eluded her; she was not accurately diagnosed until she was 34. Although intimate friendships were difficult, she depicts her uninhibited sexuality and sometimes raucous affairs with both men and women. “I grew up confident about my queerness,” she writes, partly because of “autism’s lack of regard for social norms.” While at the University of Edinburgh, she supported herself as a stripper. “I liked that in a strip club men’s contempt of you was out in the open,” she admits. “In the outside world, misogyny was always hovering in your peripheral vision.” When she worked as a reporter for the university newspaper, she was assigned to try a stint as a stand-up comic and write about it; she found it was work she loved. After “about a thousand gigs in grim little pubs across England,” she landed an agent and embarked on a successful career. Although Brady hopes her memoir will “make things feel better for the next autistic or misfit girl,” her anger is as evident as her compassion.
An unflinching self-portrait.Pub Date: June 6, 2023
ISBN: 9780593582503
Page Count: 288
Publisher: Harmony
Review Posted Online: March 10, 2023
Kirkus Reviews Issue: April 1, 2023
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