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THE BIG NIGHT-NIGHT BOOK

Although the smiling tot going through a familiar bedtime routine begins, “Night-night me and night-night you,” there is no adult present in this sequential, rhyming valediction to everything in sight. There is some superficial resemblance to Goodnight Moon, but the varying perspectives—the child in situ alternates with framed close-ups of such items as pajamas, toothbrush and teddy bear—colors and textures keep the eye from relaxing into slumber. Each page-opening features some tactile element, from furry spots on a giraffe to a flannel blanket to draw over the child, which will assuredly engage babies. It’s a happy depiction of the bedtime journey that ends with the child snoozing in the crib, but whether the babies being read to will go to sleep or not is another matter. (9-18 mos.)

Pub Date: May 1, 2009

ISBN: 978-0-7641-6234-3

Page Count: 12

Publisher: Barron's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 15, 2009

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SQUARE

From the Shape Trilogy series

For all its brevity, chockablock with philosophical topics to ponder and debate.

In the wake of Triangle (2017), a further raft of ontological posers in stripped-down geometric garb.

Square, an unreflective sort, regards hauling large cubes of rock from the depths of his secret cave to a hilltop every day as his “work.” He is set to a new task, though, after Circle praises him as a “sculptor” and a “genius,” then commissions a portrait. Cluelessly setting to with a hammer and chisel to carve a “perfect” representation of Circle from a stone block, Square is left at the end of the day in the middle of a ring of rubble. Despairingly, he falls asleep as rain begins to fall. Next morning the despair is still there—so when Circle floats up and sees her reflection in the puddle that’s accumulated overnight her response is unexpected: “It is perfect,” she says. “You are a genius.” Barnett’s closing “But was he really?” leaves readers (those who have the appropriate patience and experience, anyway) to judge for themselves. Square’s downcast eyes as he looks at his own reflection in the puddle heighten the ambiguity. With typically deceptive minimalism Klassen places a few flat, blocky shapes on the white pages to suggest the physical landscape, angling Square’s body and glance to convey the emotional one. Humor is in the details: a bit of twig that catches on harried Square’s head and stays there; the shadow that appears beneath Circle as she floats along through the air.

For all its brevity, chockablock with philosophical topics to ponder and debate. (Picture book. 10-adult)

Pub Date: May 8, 2018

ISBN: 978-0-7636-9607-8

Page Count: 48

Publisher: Candlewick

Review Posted Online: Feb. 18, 2018

Kirkus Reviews Issue: March 1, 2018

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MONSTER MATH

Miranda’s book counts the monsters gathering at a birthday party, while a simple rhyming text keeps the tally and surveys the action: “Seven starved monsters are licking the dishes./Eight blow out candles and make birthday wishes.” The counting proceeds to ten, then by tens to fifty, then gradually returns to one, which makes the monster’s mother, a purple pin-headed octopus, very happy. The book is surprisingly effective due to Powell’s artwork; the color has texture and density, as if it were poured onto the page, but the real attention-getter is the singularity of every monster attendee. They are highly individual and, therefore, eminently countable. As the numbers start crawling upward, it is both fun and a challenge to try to recognize monsters who have appeared in previous pages, or to attempt to stay focused when counting the swirling or bunched creatures. The story has glints of humor, and in combination with the illustrations is a grand addition to the counting shelf. (Picture book. 3-8)

Pub Date: Aug. 1, 1999

ISBN: 0-15-201835-2

Page Count: 32

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 1, 1999

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