For all its brevity, chockablock with philosophical topics to ponder and debate.

SQUARE

From the Shape Trilogy series

In the wake of Triangle (2017), a further raft of ontological posers in stripped-down geometric garb.

Square, an unreflective sort, regards hauling large cubes of rock from the depths of his secret cave to a hilltop every day as his “work.” He is set to a new task, though, after Circle praises him as a “sculptor” and a “genius,” then commissions a portrait. Cluelessly setting to with a hammer and chisel to carve a “perfect” representation of Circle from a stone block, Square is left at the end of the day in the middle of a ring of rubble. Despairingly, he falls asleep as rain begins to fall. Next morning the despair is still there—so when Circle floats up and sees her reflection in the puddle that’s accumulated overnight her response is unexpected: “It is perfect,” she says. “You are a genius.” Barnett’s closing “But was he really?” leaves readers (those who have the appropriate patience and experience, anyway) to judge for themselves. Square’s downcast eyes as he looks at his own reflection in the puddle heighten the ambiguity. With typically deceptive minimalism Klassen places a few flat, blocky shapes on the white pages to suggest the physical landscape, angling Square’s body and glance to convey the emotional one. Humor is in the details: a bit of twig that catches on harried Square’s head and stays there; the shadow that appears beneath Circle as she floats along through the air.

For all its brevity, chockablock with philosophical topics to ponder and debate. (Picture book. 10-adult)

Pub Date: May 8, 2018

ISBN: 978-0-7636-9607-8

Page Count: 48

Publisher: Candlewick

Review Posted Online: Feb. 19, 2018

Kirkus Reviews Issue: March 1, 2018

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An engrossing, humorous, and vitally important graphic novel that should be required reading in every middle school in...

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NEW KID

From the New Kid series , Vol. 1

Jordan Banks takes readers down the rabbit hole and into his mostly white prep school in this heartbreakingly accurate middle-grade tale of race, class, microaggressions, and the quest for self-identity.

He may be the new kid, but as an African-American boy from Washington Heights, that stigma entails so much more than getting lost on the way to homeroom. Riverdale Academy Day School, located at the opposite end of Manhattan, is a world away, and Jordan finds himself a stranger in a foreign land, where pink clothing is called salmon, white administrators mistake a veteran African-American teacher for the football coach, and white classmates ape African-American Vernacular English to make themselves sound cool. Jordan’s a gifted artist, and his drawings blend with the narrative to give readers a full sense of his two worlds and his methods of coping with existing in between. Craft skillfully employs the graphic-novel format to its full advantage, giving his readers a delightful and authentic cast of characters who, along with New York itself, pop off the page with vibrancy and nuance. Shrinking Jordan to ant-sized proportions upon his entering the school cafeteria, for instance, transforms the lunchroom into a grotesque Wonderland in which his lack of social standing becomes visually arresting and viscerally uncomfortable.

An engrossing, humorous, and vitally important graphic novel that should be required reading in every middle school in America. (Graphic fiction. 10-14)

Pub Date: Feb. 5, 2019

ISBN: 978-0-06-269120-0

Page Count: 256

Publisher: Harper/HarperCollins

Review Posted Online: Oct. 15, 2018

Kirkus Reviews Issue: Nov. 1, 2018

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An endearing protagonist runs the first, fast leg of Reynolds' promising relay.

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GHOST

From the Track series , Vol. 1

Castle “Ghost” Cranshaw feels like he’s been running ever since his dad pulled that gun on him and his mom—and used it.

His dad’s been in jail three years now, but Ghost still feels the trauma, which is probably at the root of the many “altercations” he gets into at middle school. When he inserts himself into a practice for a local elite track team, the Defenders, he’s fast enough that the hard-as-nails coach decides to put him on the team. Ghost is surprised to find himself caring enough about being on the team that he curbs his behavior to avoid “altercations.” But Ma doesn’t have money to spare on things like fancy running shoes, so Ghost shoplifts a pair that make his feet feel impossibly light—and his conscience correspondingly heavy. Ghost’s narration is candid and colloquial, reminiscent of such original voices as Bud Caldwell and Joey Pigza; his level of self-understanding is both believably childlike and disarming in its perception. He is self-focused enough that secondary characters initially feel one-dimensional, Coach in particular, but as he gets to know them better, so do readers, in a way that unfolds naturally and pleasingly. His three fellow “newbies” on the Defenders await their turns to star in subsequent series outings. Characters are black by default; those few white people in Ghost’s world are described as such.

An endearing protagonist runs the first, fast leg of Reynolds' promising relay. (Fiction. 10-14)

Pub Date: Aug. 30, 2016

ISBN: 978-1-4814-5015-7

Page Count: 192

Publisher: Caitlyn Dlouhy/Atheneum

Review Posted Online: July 20, 2016

Kirkus Reviews Issue: Aug. 1, 2016

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