by Gerald Imber ‧ RELEASE DATE: Feb. 2, 2010
Halsted remains out of focus, but the significance of Johns Hopkins in modernizing the education of doctors is clear.
Ostensibly a biography of William Stewart Halsted (1852–1922), but the main story is the transformation of medical education in America.
Imber (Clinical Surgery/Weill-Cornell School of Medicine) tries valiantly to revivify the elusive Halsted. He was aristocratic and urbane, meticulous in his dress—he sent his shirts to Paris for laundering—and could be cold and imperious. He also had a strange, possibly sexless, marriage, but just what made him tick remains a mystery. Medical education in 19th-century America was haphazard at best, and surgery was often brutal and risky. After attending Columbia University College of Physicians and Surgeons in New York City and interning at Bellevue, like other young men of means, Halsted completed his medical education in Europe. His career as a surgeon was off to a brilliant start in New York in the 1880s, but his experiments with cocaine as a local anesthetic led to his addiction to it and later to morphine. Fortunately, his friend William Welch offered him a new start at Johns Hopkins Hospital, and in 1886, Halsted left New York for Baltimore. Although his presence at the school was interrupted by months of absence every year due to his drug dependency, he made numerous innovations in surgical technique. However, it was his contributions to the training of surgeons and his development of scientific, safe and anatomically proper surgery that cemented his reputation. He set exceptionally high standards for his residents at Hopkins, and Imber profiles a few, including the distinguished Harvey Cushing. Many of Halsted's students eventually became professors and chiefs of surgery, and in turn their residents became heads of major surgical facilities across the United States. In the author's view, anyone in America who undergoes a successful surgery owes a debt of gratitude to Halsted.
Halsted remains out of focus, but the significance of Johns Hopkins in modernizing the education of doctors is clear.Pub Date: Feb. 2, 2010
ISBN: 978-1-60714-627-8
Page Count: 366
Publisher: Kaplan Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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by Gerald Imber
by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
BOOK REVIEW
by Elie Wiesel ; translated by Marion Wiesel
by Ozzy Osbourne with Chris Ayres ‧ RELEASE DATE: Jan. 25, 2010
An autobiography as toxic and addictive as any drug its author has ever ingested.
The legendary booze-addled metal rocker turned reality-TV star comes clean in his tell-all autobiography.
Although brought up in the bleak British factory town of Aston, John “Ozzy” Osbourne’s tragicomic rags-to-riches tale is somehow quintessentially American. It’s an epic dream/nightmare that takes him from Winson Green prison in 1966 to a presidential dinner with George W. Bush in 2004. Tracing his adult life from petty thief and slaughterhouse worker to rock star, Osbourne’s first-person slang-and-expletive-driven style comes off like he’s casually relating his story while knocking back pints at the pub. “What you read here,” he writes, “is what dribbled out of the jelly I call my brain when I asked it for my life story.” During the late 1960s his transformation from inept shoplifter to notorious Black Sabbath frontman was unlikely enough. In fact, the band got its first paying gigs by waiting outside concert venues hoping the regularly scheduled act wouldn’t show. After a few years, Osbourne and his bandmates were touring America and becoming millionaires from their riff-heavy doom music. As expected, with success came personal excess and inevitable alienation from the other members of the group. But as a solo performer, Osbourne’s predilection for guns, drink, drugs, near-death experiences, cruelty to animals and relieving himself in public soon became the stuff of legend. His most infamous exploits—biting the head off a bat and accidentally urinating on the Alamo—are addressed, but they seem tame compared to other dark moments of his checkered past: nearly killing his wife Sharon during an alcohol-induced blackout, waking up after a bender in the middle of a busy highway, burning down his backyard, etc. Osbourne is confessional to a fault, jeopardizing his demonic-rocker reputation with glib remarks about his love for Paul McCartney and Robin Williams. The most distinguishing feature of the book is the staggering chapter-by-chapter accumulation of drunken mishaps, bodily dysfunctions and drug-induced mayhem over a 40-plus-year career—a résumé of anti-social atrocities comparable to any of rock ’n’ roll’s most reckless outlaws.
An autobiography as toxic and addictive as any drug its author has ever ingested.Pub Date: Jan. 25, 2010
ISBN: 978-0-446-56989-7
Page Count: 320
Publisher: Grand Central Publishing
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Dec. 1, 2009
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