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THE ORIGINS OF BENJAMIN HACKETT

Tackles a serious theme of forlornness with sincerity, buoyancy, and wit.

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O’Connor’s debut is a coming-of-age tale of an Irish teen in 1996 who, on learning he’s adopted, plans to track down his birth parents.

Cork, Ireland, native Benjamin Hackett celebrates his 18th birthday with “a stack of pints at the local pub.” Awakening the next morning a year older and hung over, Ben returns home to a shock: his parents have decided to tell him he was adopted. He’s understandably upset and wants to find the parents he believes abandoned him and “punch them in their noses.” Enlisting his pal JJ for companionship and JJ’s Fiat 127, Ben heads to the Barnamire Convent in Cork, where he was born. Unfortunately, mere yards away from the convent, the two friends are mugged by a peculiar (but armed) fellow who insists they call him Apache. The nuns, meanwhile, are less than helpful in providing details on Ben’s adoption, and police show up to arrest Ben and JJ for trespassing. Getting the info on his birth parents expeditiously may require Ben to hobnob with criminal sorts and do a few things he’ll surely regret later. All for a potential reunion that shows no indication of being a happy one. O’Connor forgoes sentiment early on: Ben describes the unknown couple who birthed him as “rancid parents.” But what could have been a dark, dreary tale is sweetened by a surprising amount of humor. JJ, for one, offsets Ben’s ever-present ire with drollery; seeing a “Trespassers will die” sign, he notes, “That seems fairly unambiguous.” There are, however, more sober moments; Ben does favors in exchange for help—often something illicit that could put his life or others’ in peril. O’Connor’s lilting prose beautifies his tale, like a house that “looked nothing more than a teensy white dot high against the rocks with seagulls squabbling over which one of them was due a perch on her chimneypot.”

Tackles a serious theme of forlornness with sincerity, buoyancy, and wit.

Pub Date: Feb. 6, 2017

ISBN: 978-1-943402-46-5

Page Count: 282

Publisher: Down & Out Books

Review Posted Online: May 22, 2017

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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