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THE ORIGINS OF BENJAMIN HACKETT

Tackles a serious theme of forlornness with sincerity, buoyancy, and wit.

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O’Connor’s debut is a coming-of-age tale of an Irish teen in 1996 who, on learning he’s adopted, plans to track down his birth parents.

Cork, Ireland, native Benjamin Hackett celebrates his 18th birthday with “a stack of pints at the local pub.” Awakening the next morning a year older and hung over, Ben returns home to a shock: his parents have decided to tell him he was adopted. He’s understandably upset and wants to find the parents he believes abandoned him and “punch them in their noses.” Enlisting his pal JJ for companionship and JJ’s Fiat 127, Ben heads to the Barnamire Convent in Cork, where he was born. Unfortunately, mere yards away from the convent, the two friends are mugged by a peculiar (but armed) fellow who insists they call him Apache. The nuns, meanwhile, are less than helpful in providing details on Ben’s adoption, and police show up to arrest Ben and JJ for trespassing. Getting the info on his birth parents expeditiously may require Ben to hobnob with criminal sorts and do a few things he’ll surely regret later. All for a potential reunion that shows no indication of being a happy one. O’Connor forgoes sentiment early on: Ben describes the unknown couple who birthed him as “rancid parents.” But what could have been a dark, dreary tale is sweetened by a surprising amount of humor. JJ, for one, offsets Ben’s ever-present ire with drollery; seeing a “Trespassers will die” sign, he notes, “That seems fairly unambiguous.” There are, however, more sober moments; Ben does favors in exchange for help—often something illicit that could put his life or others’ in peril. O’Connor’s lilting prose beautifies his tale, like a house that “looked nothing more than a teensy white dot high against the rocks with seagulls squabbling over which one of them was due a perch on her chimneypot.”

Tackles a serious theme of forlornness with sincerity, buoyancy, and wit.

Pub Date: Feb. 6, 2017

ISBN: 978-1-943402-46-5

Page Count: 282

Publisher: Down & Out Books

Review Posted Online: May 22, 2017

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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LONESOME DOVE

A NOVEL (SIMON & SCHUSTER CLASSICS)

This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.

Pub Date: June 1, 1985

ISBN: 068487122X

Page Count: 872

Publisher: Simon & Schuster

Review Posted Online: Sept. 30, 2011

Kirkus Reviews Issue: May 15, 1985

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