A lavishly detailed, if slightly wooden, look at the mystical underside of a vanished Santa Fe world.
McFarland (The Brujo’s Way, 2013) offers his second volume of adventures of an 18th century New Mexico wizard.
In 1706, Don Carlos Buenaventura, a deliberative, noble figure, is currently in his sixth lifetime. He lives in Santa Fe, New Mexico, where he follows “The Brujo’s Way,” a pure, heroic philosophical approach that clears his mind, allowing him to use his mystical powers, which include manipulating energy and transforming himself and others into various kinds of animals. Through the centuries, he’s opposed the machinations of a fellow super-being, Don Malvolio. In this latest novel, Don Carlos is aided by a woman named Inez, who also possesses rudimentary bruja powers, although of a different nature than his own. They, along with other allies, encounter a trio of newcomers to Santa Fe: a magician and two dancers. Don Carlos finds them intriguing, but he’s suspicious that they may be his enemy’s disciples. As in the previous volume, McFarland gives readers much more than a mere contest between good and evil sorcerers in the distant wake of the Pueblo Revolt of 1680. Along the way, he incorporates a great deal of Santa Fe history and culture, as well as plenty of Pueblo mysticism. In the tradition of Carlos Castaneda’s Don Juan books, characters often expound on life and philosophy; however, in that same tradition, it’s at the expense of natural-seeming dialogue or interactions. Don Carlos, in particular, comes across as disconnected from the exigencies of daily reality (other characters actually comment on it), which makes the book’s dramatic ending feel a bit jury-rigged. The story’s final act feels too much like a bridge to a potential third installment to deliver as much satisfaction as it otherwise might have. That said, the bulk of the book is every bit as fascinating and comprehensive as its predecessor.
A lavishly detailed, if slightly wooden, look at the mystical underside of a vanished Santa Fe world.Pub Date: July 1, 2014
ISBN: 978-1632930088
Page Count: 296
Publisher: Sunstone Press
Review Posted Online: Aug. 18, 2014
Review Program: Kirkus Indie
BOOK REVIEW
BOOK REVIEW
A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.
Pub Date: July 11, 1960
ISBN: 0060935464
Page Count: 323
Publisher: Lippincott
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: July 1, 1960
BOOK REVIEW
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
SEEN & HEARD
This large, stately, and intensely powerful new novel by the author of Terms of Endearment and The Last Picture Show is constructed around a cattle drive—an epic journey from dry, hard-drinking south Texas, where a band of retired Texas Rangers has been living idly, to the last outpost and the last days of the old, unsettled West in rough Montana. The time is the 1880s. The characters are larger than life and shimmer: Captain Woodrow Call, who leads the drive, is the American type of an unrelentingly righteous man whose values are puritanical and pioneering and whose orders, which his men inevitably follow, lead, toward the end, to their deaths; talkative Gus McCrae, Call's best friend, learned, lenient, almost magically skilled in a crisis, who is one of those who dies; Newt, the unacknowledged 17-year-old son of Captain Call's one period of self-indulgence and the inheritor of what will become a new and kinder West; and whores, drivers, misplaced sheriffs and scattered settlers, all of whom are drawn sharply, engagingly, movingly. As the rag-tag band drives the cattle 3,000 miles northward, only Call fails to learn that his quest to conquer more new territories in the West is futile—it's a quest that perishes as men are killed by natural menaces that soon will be tamed and by half-starved renegades who soon will die at the hands of those less heroic than themselves. McMurtry shows that it is a quest misplaced in history, in a landscape that is bare of buffalo but still mythic; and it is only one of McMurtry's major accomplishments that he does it without forfeiting a grain of the characters' sympathetic power or of the book's considerable suspense. This is a masterly novel. It will appeal to all lovers of fiction of the first order.
Pub Date: June 1, 1985
ISBN: 068487122X
Page Count: 872
Publisher: Simon & Schuster
Review Posted Online: Sept. 30, 2011
Kirkus Reviews Issue: May 15, 1985
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SEEN & HEARD
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