Next book

BLOOD PUDDING

CONFESSIONS OF AN IMMIGRANT BOY PITTSBURGH 1920

A moving tale of an immigrant child’s trials.

Awards & Accolades

Our Verdict

  • Our Verdict
  • GET IT

In this historical novel, a young Polish immigrant in Pennsylvania struggles under the mercurial despotism of his father.

In 1911, Tadeusz Malinowski—everyone calls him Taddy or Tad—moves with his family from Poland to the United States when he is only 8 weeks old. They settle in western Pennsylvania, near Pittsburgh, led inconstantly by Tad’s father, Ignaz, or Jumbo as he is often called, who dishonestly insists that he has a royal bloodline. Of all the siblings, Tad is the favorite of his mother, Eva—he is a sweet boy who diligently looks after his older brother, Ziggy, who is mentally disabled, dismissively counted to be among the “low IQ unfortunates.” The entire family suffers under Jumbo’s delusions of grandeur and infantile spirit—he is talented and enterprising but also viciously violent and selfish. When he falls into financial arrears, he takes to alcohol—for a time, he’s a bootlegger who largely supplies himself with booze—and routinely beats Eva, who fecklessly tries to hide her bruises from the children. When Eva dies—Tad, the narrator of the story, is only 10 at the time—Jumbo only worsens his tyrannical grip over the family, sexually abusing his own daughter, Vera. Tad is haunted by guilt over his mother’s death—he furtively helped her perform an abortion on herself, a gruesome procedure that ended her life, chillingly described by Cox. Eva tells Tad she needs help discarding some blood pudding: “What I dumped into the hole was not blood pudding. It was bloody, all right, but it looked like a little lifeless red and purple tadpole. At one end, it had some little purple fins coming out from it. It had a long vein wrapped around it that ended in a soft, lumpy pool of black clots.” In heartbreakingly poignant terms, Tad relates his struggle to love his father, a complicated man who by turns invites admiration and contempt: “My love for Jumbo is a bitter task of loyalty.”

The author’s plot can take on a desultory, meandering quality—it often reads like a series of impressionist recollections rather than a tightly structured story. But a sense of thematic unity begins to slowly emerge, accompanied by a thoughtful reflection on the very nature of remembrance. Tad muses about his mother: “My dreams are different from my memories, which are gleaned through this unquenchable urge to dig into the past. This compulsion began abruptly with her death and continued relentlessly for many years. Regrettably, this process exposed me again and again to the pain, but it always seemed worth it. I could not stop it.” The novel often intentionally feels like a memoir—Cox’s literacy conceit is that the book is found years later by Tad’s son, not to be read until a century after Eva’s death. The author’s storytelling can be punishingly gritty—one particular scene in which Tad is brutally raped by an adult is as difficult to read as it is to forget. Fortunately, there is more to this tale than despair and woes—there is plenty of humor as well as hope to lighten readers’ loads.

A moving tale of an immigrant child’s trials.

Pub Date: April 19, 2022

ISBN: 978-1-63985-561-2

Page Count: 374

Publisher: Fulton Books

Review Posted Online: July 20, 2022

Awards & Accolades

Likes

  • Readers Vote
  • 203


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Awards & Accolades

Likes

  • Readers Vote
  • 203


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

Awards & Accolades

Likes

  • Readers Vote
  • 65


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

Next book

WHISTLER

An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.

Awards & Accolades

Likes

  • Readers Vote
  • 65


Our Verdict

  • Our Verdict
  • GET IT


  • New York Times Bestseller

A chance meeting in a museum unlocks a long-closed door in a family’s past.

Of a piece with her last three novels—Commonwealth (2016), The Dutch House (2019), and Tom Lake (2023)—Patchett’s latest explores the evolution of families over time, romantic secrets, and step-relationships, again giving these topics the wry and tender treatment that is distinctively hers. As it begins, Daphne Fuller’s attentive husband, Jonathan, notices that a man has been following them through the Metropolitan Museum of Art. At first they chalk it up to the fact that “old guys love [Daphne],” as she told Jonathan decades ago, a notion he has held onto "like a souvenir postcard from another era." But it turns out that, though Daphne doesn’t recognize him, Eddie Triplett is her former stepfather. Like the author herself, as recalled in her 2020 essay “Three Fathers,” Daphne has had three dads. Her biological father, a deep-sea fisherman named Buddy Zabriskie, left the family early; her current stepfather, Lucas Ekker, lives with her mother in retirement in Massachusetts. Ekker is an unprepossessing sort Abby met working as the publicist for his self-help books, Positivity!, Positively Positive!, The Positivity Workbook!, Positive Every Day!, ad infinitum. The man in the museum, Eddie Triplett, was also someone her mother met through her job in publishing, and once Daphne realizes who he is, she remembers that “[their] hearts were forever stitched together.” This is because Daphne and Eddie were in a serious car accident when she was 9 years old, after which her mother immediately divorced him and evicted him from their lives. The details of that accident—among them lies the reason the novel is named after a horse called Whistler—are gradually wheedled out of Daphne by her younger sister, Leda, a clinical psychologist in New York and a reliable source of insight on the narrative’s key issues. “‘You make it sound like I’ve been keeping all this from you, but I’m not,’ [Daphne] said. ‘Who goes through life thinking about what happened when they were nine?’ ‘It’s all people think about,’ Leda said.”

An evocative and moving tribute to the death-defying, heart-opening, infinitely redemptive power of storytelling.

Pub Date: June 2, 2026

ISBN: 9780063511637

Page Count: 304

Publisher: Harper/HarperCollins

Review Posted Online: April 6, 2026

Kirkus Reviews Issue: May 1, 2026

Close Quickview