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FRAMING A LIFE

A FAMILY MEMOIR

One autobiography is enough for most people, even successful politicians. Writing a second suggests a certain self-obsession, but this is not what comes through the prose of Ferraro’s most recent effort (after Ferraro: My Story, not reviewed). She begins with the story of her realization that the unheralded efforts of her mother and grandmother were fundamental contributions to the achievements of their daughter and granddaughter. The early chapters of the book recount the harsh, difficult circumstances in which her immigrant grandmother came to this country, struggled to survive, and was caught between the expectations of an old world and the opportunities of a new world. Her first-generation mother became a bridge, a woman who could not herself realize the independence and potential of an American woman, but who could make the American dream a reality for her daughter. From this stock Ferraro emerged an educated, strong, and ambitious woman, who believed fate was something to be shaped rather than endured. Too much of the second half of the book focuses on Ferraro’s political career, remaining in touch with the family/roots theme only occasionally, and one wishes that greater insight into her relationships with her own daughters, especially given the demands her career must have placed on her time and family life, would have been provided. Nevertheless, this is an interesting, undeniably moving account of a maternal lineage lovingly written by a woman self-consciously embracing her foremothers. The most enduring image is Ferraro’s presentation of what it means for parents to make genuinely selfless sacrifices for their children. What we see in these pages is not only an expression of the will to endure hardships to benefit one’s child, but also the foresight and humility to embrace a goal for that child which included living a different life than that of her parents. (Radio satellite tour)

Pub Date: Nov. 1, 1998

ISBN: 0-684-85404-X

Page Count: 224

Publisher: Scribner

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Oct. 1, 1998

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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