A practical, nonboring companion for writers aiming to hone their style.
A self-described "language enthusiast" analyzes memorable sentences.
Woods, author of English Grammar for Dummies, among dozens of other books on writing and literature, offers an upbeat, informative guide for writers and readers, focused on the power of sentences. Each of the 25 chapters highlights one exemplary sentence, supplemented by many others that illustrate the same technique, drawn from a capacious range of sources, including Virginia Woolf, Stephen King, Dylan Thomas, Bob Dylan, the King James Bible, and even ads for potato chips, candy, and soda. Woods avoids literary jargon and carefully explains terms that might be unfamiliar to nonspecialist readers. Looking at structure, for example, she identifies several interesting constructions—parallelism, reversed sentences, questions, for example—and “crossed sentences,” which she calls “the neon signs of the sentence world. They attract attention.” Her primary example is John F. Kennedy’s “Ask not what your country can do for you, ask what you can do for your country,” and she also cites Groucho Marx: “Money will not make you happy, and happy will not make you money.” Some sentences, notes the author, succeed through surprise, such as Lucille Ball’s “The secret to staying young is to live honestly, eat slowly, and lie about your age.” A section on diction examines verbs, tone, word shifts (Gertrude Stein’s “There is no there there” is one example), and inventive coinage. Poetry appears most frequently in chapters on sound (onomatopoeia, repetition, and matching sounds) and visual presentation. A section on connection/comparison analyzes use of the first person and second person, synesthesia, and contrast—e.g., Neil Armstrong’s famous “That’s one small step for a man, one giant leap for mankind.” A final section on “Extremes” focuses on unusually long “marathon sentences” and sentences that are marvels of concision, such as E.M. Forster’s “Only connect.” Each chapter ends with inventive writing exercises.
A practical, nonboring companion for writers aiming to hone their style.Pub Date: Aug. 18, 2020
ISBN: 978-1-324-00485-1
Page Count: 256
Publisher: Norton
Review Posted Online: April 20, 2020
Kirkus Reviews Issue: May 15, 2020
A vigorous, timely, necessary defense of creativity.
Eloquent essays on the vital meaning of art.
Arthurs is a senior fellow at the John Brademas Center at NYU, and DiNiscia is Deputy Director for Research and Strategic Initiatives at the Center. In this important collection, the editors gather a racially, ethnically, and culturally diverse group of more than two dozen eminent scholars, artists, professionals working in the field of arts and culture, and funders who support the arts. Jazz pianist Fred Hersch (interviewed by Arthurs), composer Tania León, choreographer and dancer Alice Sheppard, and Deborah Willis, historian of African American photography, join the other contributors in responding to the title question with a resounding “yes.” They argue forcefully for the importance of the arts in strengthening social ties, benefiting individuals, fostering community, engaging with the sciences, and recording and sharing human experiences. As music history scholar Karol Berger notes, “when you think that art is inessential and useless,” remember those artists who have been persecuted, marginalized, silenced, incarcerated, and killed because of the power of their creations. Like Berger, several contributors underscore the political significance of the arts. Philosophy professor and ethicist K. Anthony Appiah asserts that art “readies us for our real lives, enlarges our political possibilities, connects us within and across identities.” For Zeyba Rahman and Hussein Rashid, the arts, speaking through the language of imagination, “can bring alive communities and urgent problems that are unfamiliar to us by creating a universal resonance and relatability.” The arts nurture individuals, just as with other forms of sustenance. “All people…yearn for beauty,” writes Ford Foundation president Darren Walker, “also long for grace, also have hearts as well as stomachs that need to be fed and filled. And people inevitably create beauty and grace when they lift their voices in song, move their bodies to music, shape color and form on canvas or in sculpture, or use language to tell stories in ways that delight and surprise.”
A vigorous, timely, necessary defense of creativity.Pub Date: Feb. 22, 2022
ISBN: 978-1-4798-1262-2
Page Count: 496
Publisher: New York Univ.
Review Posted Online: Nov. 2, 2021
Kirkus Reviews Issue: Dec. 1, 2021
PERSPECTIVES
A wondrous mix of races, ages, genders, and social classes, and on virtually every page is a surprise.
Photographer and author Stanton returns with a companion volume to Humans of New York (2013), this one with similarly affecting photographs of New Yorkers but also with some tales from his subjects’ mouths.
Readers of the first volume—and followers of the related site on Facebook and elsewhere—will feel immediately at home. The author has continued to photograph the human zoo: folks out in the streets and in the parks, in moods ranging from parade-happy to deep despair. He includes one running feature—“Today in Microfashion,” which shows images of little children dressed up in various arresting ways. He also provides some juxtapositions, images and/or stories that are related somehow. These range from surprising to forced to barely tolerable. One shows a man with a cat on his head and a woman with a large flowered headpiece, another a construction worker proud of his body and, on the facing page, a man in a wheelchair. The emotions course along the entire continuum of human passion: love, broken love, elation, depression, playfulness, argumentativeness, madness, arrogance, humility, pride, frustration, and confusion. We see varieties of the human costume, as well, from formalwear to homeless-wear. A few celebrities appear, President Barack Obama among them. The “stories” range from single-sentence comments and quips and complaints to more lengthy tales (none longer than a couple of pages). People talk about abusive parents, exes, struggles to succeed, addiction and recovery, dramatic failures, and lifelong happiness. Some deliver minirants (a neuroscientist is especially curmudgeonly), and the children often provide the most (often unintended) humor. One little boy with a fishing pole talks about a monster fish. Toward the end, the images seem to lead us toward hope. But then…a final photograph turns the light out once again.
A wondrous mix of races, ages, genders, and social classes, and on virtually every page is a surprise.Pub Date: Oct. 13, 2015
ISBN: 978-1-250-05890-4
Page Count: 432
Publisher: St. Martin's
Review Posted Online: July 27, 2015
Kirkus Reviews Issue: Aug. 15, 2015
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