Even Bond might blush.

Thriller in which lustful affairs send Soviet and American agents, spies, and counterspies plotting and panting in what nearly becomes a bedroom farce.

It’s hard to believe the CIA would employ the services of Austrian playboy Malko Linge, who so easily and frequently loses his head in fits of passion. But there you have it in the late de Villiers’ latest case (publicity claims more than 200 installments for this French James Bond) involving Linge, who freelances for the agency. As written by de Villiers, Linge’s boudoir exploits are a series of howlers. One moment has a woman grip Linge’s male member “like a drowning man clinging to a life jacket.” Other scenes, falling somewhere between soft- and hard-core pornography, are sexist and offensive. Consider: “the black woman’s plunging neckline displayed three quarters of a bosom that proved that silicone had reached African shores.” It’s no surprise, then, that the plot evolves from an affair. At a Red Cross charity ball in Monte Carlo, Zhanna Khrenkov, a Russian blonde, flirts, to uncertain effect, with Linge while his fiancee fumes nearby. Khrenkov eventually tells Linge what she wants: her husband, Alexei, has been chasing Lynn Marsh, a British dentist, and Khrenkov asks Linge to rub her out. As leverage, Khrenkov says she’ll hand over to Linge the names of a group of Soviet spies (the eponymous “swallows”) lurking in the United States if he’ll “kill the bitch.” It’s a flimsy premise not strengthened by any revelations about what the Soviet spies are up to and how great a threat they may pose. The CIA nevertheless wants the spies identified. Once the game gets going, de Villiers sets the Kremlin, the CIA, Khrenkov and her husband, Linge, and the dentist all to watching each other, second guessing each other’s motives, and calibrating their strategies accordingly. Meanwhile, Lynn links up with Alexei, “the sexual tornado” who “thud[s] at her like a woodcutter.”

Even Bond might blush. 

Pub Date: Feb. 2, 2016

ISBN: 978-0-8041-6937-0

Page Count: 256

Publisher: Vintage Crime/Black Lizard

Review Posted Online: Nov. 17, 2015

Kirkus Reviews Issue: Dec. 1, 2015


Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Another sweltering month in Charlotte, another boatload of mysteries past and present for overworked, overstressed forensic anthropologist Temperance Brennan.

A week after the night she chases but fails to catch a mysterious trespasser outside her town house, some unknown party texts Tempe four images of a corpse that looks as if it’s been chewed by wild hogs, because it has been. Showboat Medical Examiner Margot Heavner makes it clear that, breaking with her department’s earlier practice (The Bone Collection, 2016, etc.), she has no intention of calling in Tempe as a consultant and promptly identifies the faceless body herself as that of a young Asian man. Nettled by several errors in Heavner’s analysis, and even more by her willingness to share the gory details at a press conference, Tempe launches her own investigation, which is not so much off the books as against the books. Heavner isn’t exactly mollified when Tempe, aided by retired police detective Skinny Slidell and a host of experts, puts a name to the dead man. But the hints of other crimes Tempe’s identification uncovers, particularly crimes against children, spur her on to redouble her efforts despite the new M.E.’s splenetic outbursts. Before he died, it seems, Felix Vodyanov was linked to a passenger ferry that sank in 1994, an even earlier U.S. government project to research biological agents that could control human behavior, the hinky spiritual retreat Sparkling Waters, the dark web site DeepUnder, and the disappearances of at least four schoolchildren, two of whom have also turned up dead. And why on earth was Vodyanov carrying Tempe’s own contact information? The mounting evidence of ever more and ever worse skulduggery will pull Tempe deeper and deeper down what even she sees as a rabbit hole before she confronts a ringleader implicated in “Drugs. Fraud. Breaking and entering. Arson. Kidnapping. How does attempted murder sound?”

Forget about solving all these crimes; the signal triumph here is (spoiler) the heroine’s survival.

Pub Date: March 17, 2020

ISBN: 978-1-9821-3888-2

Page Count: 352

Publisher: Scribner

Review Posted Online: Dec. 22, 2019

Kirkus Reviews Issue: Jan. 15, 2020


Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days...

In 1876, professor Edward Cope takes a group of students to the unforgiving American West to hunt for dinosaur fossils, and they make a tremendous discovery.

William Jason Tertullius Johnson, son of a shipbuilder and beneficiary of his father’s largess, isn’t doing very well at Yale when he makes a bet with his archrival (because every young man has one): accompany “the bone professor” Othniel Marsh to the West to dig for dinosaur fossils or pony up $1,000, but Marsh will only let Johnson join if he has a skill they can use. They need a photographer, so Johnson throws himself into the grueling task of learning photography, eventually becoming proficient. When Marsh and the team leave without him, he hitches a ride with another celebrated paleontologist, Marsh’s bitter rival, Edward Cope. Despite warnings about Indian activity, into the Judith badlands they go. It’s a harrowing trip: they weather everything from stampeding buffalo to back-breaking work, but it proves to be worth it after they discover the teeth of what looks to be a giant dinosaur, and it could be the discovery of the century if they can only get them back home safely. When the team gets separated while transporting the bones, Johnson finds himself in Deadwood and must find a way to get the bones home—and stay alive doing it. The manuscript for this novel was discovered in Crichton’s (Pirate Latitudes, 2009, etc.) archives by his wife, Sherri, and predates Jurassic Park (1990), but if readers are looking for the same experience, they may be disappointed: it’s strictly formulaic stuff. Famous folk like the Earp brothers make appearances, and Cope and Marsh, and the feud between them, were very real, although Johnson is the author’s own creation. Crichton takes a sympathetic view of American Indians and their plight, and his appreciation of the American West, and its harsh beauty, is obvious.

Falls short of Crichton’s many blockbusters, but fun reading nonetheless, especially for those interested in the early days of American paleontology.

Pub Date: May 23, 2017

ISBN: 978-0-06-247335-6

Page Count: 320

Publisher: Harper/HarperCollins

Review Posted Online: March 6, 2017

Kirkus Reviews Issue: March 15, 2017

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