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JULIUS WINSOME

Finely tooled outsider fiction, as chilling as it is ultimately humane.

Man loses man’s best friend, decides the rest of humanity is to blame.

Donovan’s first novel, Schopenhauer’s Telescope (2003), tried, with rather pallid results, to turn philosophical concepts into allegorical fiction. His second is similarly thoughtful, but an entirely different sort of text: slim where its predecessor was bloated, deeply personal rather than vague and abstract. Narrator Julius is a self-sufficient type living alone in a cabin in the woods of Maine. “I had never married, though I think I came near once,” he tells us, “and so even the silences here were mine.” In the cabin, he’s surrounded by the thousands of books collected by his father, as well as ghostly memories of the dead man, a war veteran haunted by his murderous conscience. Julius needs little to get by; some part-time work in the warmer months is sufficient. Otherwise, he’s content to drink tea, read Shakespeare, pet his beloved dog Hobbes and listen to the gunfire from hunters galumphing through the woods. But that all changes when he finds Hobbes dying from a shotgun blast. Studying the wound, the veterinarian tells Julius that whoever shot Hobbes came up close and probably patted him before firing the fatal shot. In the same eerily calm manner he would use to describe cutting wood, Julius then relates his walks into the forest with his grandfather’s WWI-issue Enfield sniper rifle and starts killing hunters. Donovan’s command of language is astonishingly precise, eerily reflecting Julius’s disarmingly mild-mannered pathology as it ascribes no more importance to the cold-blooded shooting of a hunter than to going into town for groceries.

Finely tooled outsider fiction, as chilling as it is ultimately humane.

Pub Date: Oct. 19, 2006

ISBN: 1-58567-849-X

Page Count: 224

Publisher: Overlook

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 2006

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MAGIC HOUR

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Sisters work together to solve a child-abandonment case.

Ellie and Julia Cates have never been close. Julia is shy and brainy; Ellie gets by on charm and looks. Their differences must be tossed aside when a traumatized young girl wanders in from the forest into their hometown in Washington. The sisters’ professional skills are put to the test. Julia is a world-renowned child psychologist who has lost her edge. She is reeling from a case that went publicly sour. Though she was cleared of all wrongdoing, Julia’s name was tarnished, forcing her to shutter her Beverly Hills practice. Ellie Barton is the local police chief in Rain Valley, who’s never faced a tougher case. This is her chance to prove she is more than just a fading homecoming queen, but a scarcity of clues and a reluctant victim make locating the girl’s parents nearly impossible. Ellie places an SOS call to her sister; she needs an expert to rehabilitate this wild-child who has been living outside of civilization for years. Confronted with her professional demons, Julia once again has the opportunity to display her talents and salvage her reputation. Hannah (The Things We Do for Love, 2004, etc.) is at her best when writing from the girl’s perspective. The feral wolf-child keeps the reader interested long after the other, transparent characters have grown tiresome. Hannah’s torturously over-written romance passages are stale, but there are surprises in store as the sisters set about unearthing Alice’s past and creating a home for her.

Wacky plot keeps the pages turning and enduring schmaltzy romantic sequences.

Pub Date: March 1, 2006

ISBN: 0-345-46752-3

Page Count: 400

Publisher: Ballantine

Review Posted Online: June 24, 2010

Kirkus Reviews Issue: Dec. 1, 2005

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THE CATCHER IN THE RYE

A strict report, worthy of sympathy.

A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.

"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….

A strict report, worthy of sympathy.

Pub Date: June 15, 1951

ISBN: 0316769177

Page Count: -

Publisher: Little, Brown

Review Posted Online: Nov. 2, 2011

Kirkus Reviews Issue: June 15, 1951

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