A sweet tale of how the power of play helps an elder adjust to a new life.
A grandfather moves in with his children in a city apartment and, with the help of his granddaughter, finds a new way to continue his passion.
Through fall and winter, building models or playing chess cannot really engage Grandpa, an avid angler at heart. Spring arrives, and his granddaughter, the narrator, initiates a pretend fishing game perched from their fire escape above the busy city street. They wait for a catch with poles, lines, and hooks. At first nothing happens, but their patience prevails as they reel in a piece of plastic they imagine to be a “flying litterfish.” The possibilities for skyfishing take off from there as the clutter of an urban sea produces flower pots, wind “chimefish,” and socks on a line—or “laundry eels.” But the biggest fish of all in their imagination rumbles deep below on the tracks. The steady narrative blends with whimsical paintings that transform the everyday congestion of a crowded metropolis into fantastical sea creatures. An ocean of aqua and blues across the bottom of the page parallels the dull browns and grays of high-rises and apartment buildings across the top. Fishing aficionados will enjoy the endpapers with accurate pen-and-ink drawings of real fish as well as childlike figures of the “fish” in the story. Grandpa and the narrator are white, and the city’s denizens are vibrantly diverse.
A sweet tale of how the power of play helps an elder adjust to a new life. (Picture book. 4-6)Pub Date: April 11, 2017
ISBN: 978-1-4197-1911-0
Page Count: 40
Publisher: Abrams
Review Posted Online: Feb. 13, 2017
Kirkus Reviews Issue: March 1, 2017
Nice enough but not worth repeat reads.
Emma deals with jitters before playing the guitar in the school talent show.
Pop musician Kevin Jonas and his wife, Danielle, put performance at the center of their picture-book debut. When Emma is intimidated by her very talented friends, the encouragement of her younger sister, Bella, and the support of her family help her to shine her own light. The story is straightforward and the moral familiar: Draw strength from your family and within to overcome your fears. Employing the performance-anxiety trope that’s been written many times over, the book plods along predictably—there’s nothing really new or surprising here. Dawson’s full-color digital illustrations center a White-presenting family along with Emma’s three friends of color: Jamila has tanned skin and wears a hijab; Wendy has dark brown skin and Afro puffs; and Luis has medium brown skin. Emma’s expressive eyes and face are the real draw of the artwork—from worry to embarrassment to joy, it’s clear what she’s feeling. A standout double-page spread depicts Emma’s talent show performance, with a rainbow swirl of music erupting from an amp and Emma rocking a glam outfit and electric guitar. Overall, the book reads pretty plainly, buoyed largely by the artwork. (This book was reviewed digitally.)
Nice enough but not worth repeat reads. (Picture book. 4-6)Pub Date: March 29, 2022
ISBN: 978-0-593-35207-6
Page Count: 40
Publisher: Razorbill/Penguin
Review Posted Online: Feb. 8, 2022
Kirkus Reviews Issue: March 1, 2022
BOOK REVIEW
Echoes of Runaway Bunny color this exchange between a bath-averse piglet and his patient mother. Using a strategy that would probably be a nonstarter in real life, the mother deflects her stubborn offspring’s string of bath-free occupational conceits with appeals to reason: “Pirates NEVER EVER take baths!” “Pirates don’t get seasick either. But you do.” “Yeesh. I’m an astronaut, okay?” “Well, it is hard to bathe in zero gravity. It’s hard to poop and pee in zero gravity too!” And so on, until Mom’s enticing promise of treasure in the deep sea persuades her little Treasure Hunter to take a dive. Chunky figures surrounded by lots of bright white space in Segal’s minimally detailed watercolors keep the visuals as simple as the plotline. The language isn’t quite as basic, though, and as it rendered entirely in dialogue—Mother Pig’s lines are italicized—adult readers will have to work hard at their vocal characterizations for it to make any sense. Moreover, younger audiences (any audiences, come to that) may wonder what the piggy’s watery closing “EUREKA!!!” is all about too. Not particularly persuasive, but this might coax a few young porkers to get their trotters into the tub. (Picture book. 4-6)
Pub Date: March 1, 2011
ISBN: 978-0-399-25425-3
Page Count: 32
Publisher: Philomel
Review Posted Online: Jan. 25, 2011
Kirkus Reviews Issue: Feb. 1, 2011
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
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