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MY BODY IS PAPER

STORIES AND POEMS

A moving, necessary tribute to a singular voice of queer literature.

Poems and stories that capture a queer Chicano writer’s reckonings with illness, family, and desire in the midst of the AIDS epidemic.

Composed in the years before the 34-year-old Cuadros’ death from AIDS in 1996, the works in this collection are embodied and energetic, charged with the urgency of a young writer racing to mine and document as much of his experience as possible. In “Hands,” the opening story, an AIDS patient prepares for his death, finalizing his will and getting rid of his belongings, grappling with unresolved childhood memories. Though the narrator’s body is deteriorating and he’s certain he’ll die soon, life keeps shattering through the gloom: While gardening, he receives “a warm charge…from the earth,” and he befriends an immigrant woman named Yoli whose warm, maternal character disrupts the resentment he harbors toward his abusive parents. This tension between degeneration and life, and between the divine and the profane, pervades the collection. An HIV-positive queer man finds himself pregnant in “Birth,” one of the last stories the author wrote. “Heroes,” which may have been the beginning of an unfinished novel, portrays moments of sexual intimacy as the narrator contends with the effects of illness and medical treatment on his body. Embodiment is vividly rendered throughout the pieces, especially in “Dis(coloration),” in which the narrator explores the cosmetics aisle of a drugstore and experiments with a new fading cream for his discolored skin. Spirituality is treated with equal importance, with speakers supplicating, grasping toward the divine in poems like “A Netless Heaven” and “It’s Friday Night and Jesus Is at the Laundromat.” Though there’s a brisk, unfinished quality to some of the stories (understandable, given the circumstances), this doesn’t overshadow their depth, detail, and poignancy. On the contrary, readers will easily recognize in these works a writer approaching the height of his powers. Brief essays by Justin Torres and Pablo Alvarez bookend the collection, contextualizing Cuadros’ life and writing.

A moving, necessary tribute to a singular voice of queer literature.

Pub Date: June 4, 2024

ISBN: 9780872869097

Page Count: 220

Publisher: City Lights

Review Posted Online: May 31, 2024

Kirkus Reviews Issue: July 1, 2024

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THE CALAMITY CLUB

Fans of Stockett’s bestselling debut will love this engaging follow-up.

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Stockett heads to Mississippi for another historical novel about feisty women.

This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.

Fans of Stockett’s bestselling debut will love this engaging follow-up.

Pub Date: May 5, 2026

ISBN: 9781954118812

Page Count: 656

Publisher: Spiegel & Grau

Review Posted Online: Feb. 2, 2026

Kirkus Reviews Issue: March 1, 2026

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THE CORRESPONDENT

An affecting portrait of a prickly woman.

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A lifetime’s worth of letters combine to portray a singular character.

Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.

An affecting portrait of a prickly woman.

Pub Date: May 6, 2025

ISBN: 9780593798430

Page Count: 304

Publisher: Crown

Review Posted Online: Feb. 15, 2025

Kirkus Reviews Issue: March 15, 2025

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