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LEADING FROM THE CENTER

WHY MODERATES MAKE THE BEST PRESIDENTS

Fans of Millard Fillmore, that noted moderate, won’t find much new in these pages, but those sick to death of extremist...

Moderate does not equal namby-pamby, and extremism is not an American norm; instead, the founders “celebrated modesty, balance, self-denial, and rationality,” none of which seem abundant in politics today.

Against those who hold that America has become bitterly divided between red and blue, Troy (History/McGill Univ.; Hillary Rodham Clinton: Polarizing First Lady, 2006, etc.) observes that “a rich web of common cultural, political, economic, and social ties” tightly binds the nation. The best presidents, recognizing this network of elective affinities, have governed from a moderate, centrist position and shunned extremes on either side of the aisle. But neither does moderate equal passive: By Troy’s reckoning, the best have exercised “muscular moderation,” as with George Washington’s straight-edged governance over a still tumultuous time and Theodore Roosevelt’s refusal both to play to class loyalties and to accept the notion that capital and labor were necessarily inimical. By that reckoning, Dwight Eisenhower gets solid marks for his detestation of partisan politics and his quaint notion that the president was meant to be a unifier. Some presidents in Troy’s account were set on moderate paths but turned less moderate by events, as with Lyndon Johnson in the face of the Vietnam debacle; some were moderately inclined but so sensitive to public opinion as to be swayed off course, as with Bill Clinton. As for the president who once trumpeted himself as a unifier, Troy joins with a growing majority in finding George W. Bush to be a disaster who “damaged America’s national fabric by failing to lead the country as a whole” and insisted instead that he owed attention only to “everyone who shares our goals.”

Fans of Millard Fillmore, that noted moderate, won’t find much new in these pages, but those sick to death of extremist rhetoric should be assured by the author’s conclusions.

Pub Date: June 1, 2008

ISBN: 978-0-465-00293-1

Page Count: 304

Publisher: Basic Books

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 15, 2008

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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