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THE LAST KAISER

THE LIFE OF WILHELM II

A gripping narrative about a flawed, but ultimately pitiable, king.

A biography of Wilhelm II, who oversaw the collapse of the German empire.

MacDonogh’s (Frederick the Great, 2001, etc.) Wilhelm runs hot and cold. Sometimes full of bluster, his saber-rattling contributed to the outbreak of the Great War, but at other times the last Kaiser was given to compromise in international disputes. The central figure of Wilhelm’s childhood was his mother, Vicky, daughter of Queen Victoria of Britain. Vicky dominated his father, Frederick III, who died only a few months after assuming the throne. Once Wilhelm took over, he invigorated the government, bypassing the legendary Bismarck and establishing liberal policies in the conservative Prussian-centered empire. His choice of archaeology as a hobby signified his modern state of mind, which was put to good use in the development of German schools and infrastructure. From his mother, Wilhelm inherited a love-hate relationship with the English, whom he felt treated Germany like a second-class state, and much of his foreign policy (such as his rapid buildup of the navy) was designed to earn the respect of the British—who responded by identifying Germany as their enemy. The author shifts the focus of his account away from WWI once the fighting begins, however, and concentrates instead on how Wilhelm vacillated at crucial moments, losing the confidence of his advisers. Initially, the Kaiser worked hard to avoid catastrophe, especially in his diplomacy with Russia and his cousin Czar Nicholas, but eventually the entangling alliances of the period, as well as a bellicose German public, overwhelmed him. In the end, Wilhelm’s standing fell with Germany’s fortunes on the battlefield. By 1917, the army had taken over government, relegating Wilhelm to a purely ceremonial role. The last hundred pages of the biography detail Wilhelm’s eclipse and exile in Holland—painful reading compared to the earlier parts of the story (which show him as a sometimes heroic, if reckless, character). His ambivalence towards the Nazis—he supported their nationalism but was disturbed by Hitler’s tactics—was all the more tragic because it was irrelevant.

A gripping narrative about a flawed, but ultimately pitiable, king.

Pub Date: Aug. 1, 2001

ISBN: 0-312-27673-7

Page Count: 416

Publisher: St. Martin's

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2001

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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