Hilarious, deft, and quick: Waterfield, in his US debut, sniffs out pretense and vanity with a bad-natured sense of humor...
A mad romp through the back alleys of a London museum, Waterfield’s send-up of high art and high society is one of the best academic satires to hit these shores since David Lodge’s Small World.
BRIT (formerly known as the Museum of English History) is a respectable old British institution that nobody cares for very much: Its curators, trustees, and staff all basically want to make a name for themselves so that they can move on to somewhere better. Auberon Booth, the self-satisfied director, came up with the idea of renaming the place for the millennium and launching a series of snazzy, press-catching exhibitions (“Luxury” was a great success, as was “Slums”) in a bid to jack up the museum’s public profile. His latest show, “Elegance,” centers on a Gainsborough portrait (Lady St. John as Puck) of an 18th-century aristocrat dressed for a masquerade. The Gainsborough belongs to Sir Lewis Burslem, the nouveau riche Chairman of the Board of Trustees, who’d wanted to sit on the board at the National Gallery and may get the chance to do so if the exhibition goes well. To get it off to a good start, Sir Lewis has arranged a gala opening-night banquet, focused both on the portrait (which will be wheeled into the dining room) and on the Duke of Clarence (who will be the first member of the Royal Family to set foot in BRIT since its renaming). Nothing can be permitted to go wrong, of course—always a recipe for disaster. Without giving anything away, let’s just say difficulties arise that could attract the attention of the security chief, the insurance underwriters, the art historians, the press, and the art forgery division of Scotland Yard. Not to mention Nigella Lawson, who would have been a big help to the hapless caterers.
Hilarious, deft, and quick: Waterfield, in his US debut, sniffs out pretense and vanity with a bad-natured sense of humor worthy of Hogarth.Pub Date: Feb. 17, 2004
ISBN: 0-7434-7553-4
Page Count: 288
Publisher: Washington Square/Pocket
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 1, 2004
Heartfelt, yes, but pretty routine.
Life lessons.
Angie Malone, the youngest of a big, warm Italian-American family, returns to her Pacific Northwest hometown to wrestle with various midlife disappointments: her divorce, Papa’s death, a downturn in business at the family restaurant, and, above all, her childlessness. After several miscarriages, she, a successful ad exec, and husband Conlan, a reporter, befriended a pregnant young girl and planned to adopt her baby—and then the birth mother changed her mind. Angie and Conlan drifted apart and soon found they just didn’t love each other anymore. Metaphorically speaking, “her need for a child had been a high tide, an overwhelming force that drowned them. A year ago, she could have kicked to the surface but not now.” Sadder but wiser, Angie goes to work in the struggling family restaurant, bickering with Mama over updating the menu and replacing the ancient waitress. Soon, Angie befriends another young girl, Lauren Ribido, who’s eager to learn and desperately needs a job. Lauren’s family lives on the wrong side of the tracks, and her mother is a promiscuous alcoholic, but Angie knows nothing of this sad story and welcomes Lauren into the DeSaria family circle. The girl listens in, wide-eyed, as the sisters argue and make wisecracks and—gee-whiz—are actually nice to each other. Nothing at all like her relationship with her sluttish mother, who throws Lauren out when boyfriend David, en route to Stanford, gets her pregnant. Will Lauren, who’s just been accepted to USC, let Angie adopt her baby? Well, a bit of a twist at the end keeps things from becoming too predictable.
Heartfelt, yes, but pretty routine.Pub Date: July 1, 2004
ISBN: 0-345-46750-7
Page Count: 400
Publisher: Ballantine
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 15, 2004
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s...
The traumatic homecoming of a wounded warrior.
The daughter of alcoholics who left her orphaned at 17, Jolene “Jo” Zarkades found her first stable family in the military: She’s served over two decades, first in the army, later with the National Guard. A helicopter pilot stationed near Seattle, Jo copes as competently at home, raising two daughters, Betsy and Lulu, while trying to dismiss her husband Michael’s increasing emotional distance. Jo’s mettle is sorely tested when Michael informs her flatly that he no longer loves her. Four-year-old Lulu clamors for attention while preteen Betsy, mean-girl-in-training, dismisses as dweeby her former best friend, Seth, son of Jo’s confidante and fellow pilot, Tami. Amid these challenges comes the ultimate one: Jo and Tami are deployed to Iraq. Michael, with the help of his mother, has to take over the household duties, and he rapidly learns that parenting is much harder than his wife made it look. As Michael prepares to defend a PTSD-afflicted veteran charged with Murder I for killing his wife during a dissociative blackout, he begins to understand what Jolene is facing and to revisit his true feelings for her. When her helicopter is shot down under insurgent fire, Jo rescues Tami from the wreck, but a young crewman is killed. Tami remains in a coma and Jo, whose leg has been amputated, returns home to a difficult rehabilitation on several fronts. Her nightmares in which she relives the crash and other horrors she witnessed, and her pain, have turned Jo into a person her daughters now fear (which in the case of bratty Betsy may not be such a bad thing). Jo can't forgive Michael for his rash words. Worse, she is beginning to remind Michael more and more of his homicide client. Characterization can be cursory: Michael’s earlier callousness, left largely unexplained, undercuts the pathos of his later change of heart.
Less bleak than the subject matter might warrant—Hannah’s default outlook is sunny—but still, a wrenching depiction of war’s aftermath.Pub Date: Jan. 31, 2012
ISBN: 978-0-312-57720-9
Page Count: 400
Publisher: St. Martin's
Review Posted Online: Dec. 18, 2011
Kirkus Reviews Issue: Jan. 1, 2012
© Copyright 2025 Kirkus Media LLC. All Rights Reserved.
Follow
Popular in this Genre
We can’t wait for you to join Kirkus!
It’s free and takes less than 10 seconds!
Already have an account? Log in.
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
Welcome Back!
OR
Sign in with GoogleTrouble signing in? Retrieve credentials.
