Still, with that celebrity name on the cover, anything’s possible.
It’s no surprise that the first novel, and first of a projected series, from actress Anderson (The X-Files, etc.) and collaborator Rovin (Conversations With the Devil, 2007, etc.) comes with a strong X-Files tang.
A member of an enigmatic group steals a puzzling artifact recovered from beneath the south Atlantic waves. Meanwhile, as nuclear tensions between India and Pakistan ratchet up, India’s United Nations ambassador Ganak Pawar narrowly survives an assassination attempt. His daughter, Maanik, who was at the scene and escaped unhurt, suddenly begins injuring herself, screaming uncontrollably and babbling in what seems to be an unknown tongue. U.N. translator Benjamin Moss calls in distinguished Manhattan child psychiatrist Caitlin O’Hara. She finds Maanik’s symptoms baffling—especially when Ben listens to her ravings and identifies elements of several wildly disparate languages. Then, in Iran, a boy suddenly and inexplicably sets himself on fire. In Haiti, a student apparently starts to drown—on dry land. Rats occupy New York’s Washington Square. And when Caitlin touches her patient, she experiences strange visions and feels an external presence. The professionally executed narrative moves the stock characters along at a briskly globe-hopping pace but offers no original elements, fresh perspective or innovative treatment. So what’s behind all the obviously linked phenomena—demons? Malevolent aliens? Ancient civilizations? Sinister conspiracies? Mystic powers? Savvy readers will get that sinking feeling when they begin to guess about halfway through—ideas so threadbare they’d come close to the top of any fantasy or science fiction editor’s “never write about this” list.
Still, with that celebrity name on the cover, anything’s possible.Pub Date: Oct. 7, 2014
ISBN: 978-1-4767-7652-1
Page Count: 320
Publisher: Simon & Schuster
Review Posted Online: Aug. 23, 2014
Kirkus Reviews Issue: Sept. 15, 2014
BOOK REVIEW
BOOK REVIEW
Greed, love, and extrasensory abilities combine in two middling mysteries.
Coulter’s treasured FBI agents take on two cases marked by danger and personal involvement.
Dillon Savitch and his wife, Lacey Sherlock, have special abilities that have served them well in law enforcement (Paradox, 2018, etc.). But that doesn't prevent Sherlock’s car from hitting a running man after having been struck by a speeding SUV that runs a red light. The runner, though clearly injured, continues on his way and disappears. Not so the SUV driver, a security engineer for the Bexholt Group, which has ties to government agencies. Sherlock’s own concussion causes memory loss so severe that she doesn’t recognize Savitch or remember their son, Sean. The whole incident seems more suspicious when a blood test from the splatter of the man Sherlock hit reveals that he’s Justice Cummings, an analyst for the CIA. The agency’s refusal to cooperate makes Savitch certain that Bexholt is involved in a deep-laid plot. Meanwhile, Special Agent Griffin Hammersmith is visiting friends who run a cafe in the touristy Virginia town of Gaffers Ridge. Hammersmith, who has psychic abilities, is taken aback when he hears in his mind a woman’s cry for help. Reporter Carson DeSilva, who came to the area to interview a Nobel Prize winner, also has psychic abilities, and she overhears the thoughts of Rafer Bodine, a young man who has apparently kidnapped and possibly murdered three teenage girls. Unluckily, she blurts out her thoughts, and she’s snatched and tied up in a cellar by Bodine. Bodine may be a killer, but he’s also the nephew of the sheriff and the son of the local bigwig. So the sheriff arrests Hammersmith and refuses to accept his FBI credentials. Bodine's mother has psychic powers strong enough to kill, but she meets her match in Hammersmith, DeSilva, Savitch, and Sherlock.
Greed, love, and extrasensory abilities combine in two middling mysteries.Pub Date: July 30, 2019
ISBN: 978-1-5011-9365-1
Page Count: 512
Publisher: Simon & Schuster
Review Posted Online: June 30, 2019
Kirkus Reviews Issue: July 15, 2019
Magnificent writing, nonetheless, makes the best case yet for putting McCarthy on a pedestal just below the one occupied by...
Almost as frustrating as it is commanding, McCarthy’s ninth (and first since the completion of his Border Trilogy: Cities of the Plain, 1998, etc.) is a formidable display of stunningly written scenes that don’t quite cohere into a fully satisfying narrative.
It’s a bleak chronicle of murder, revenge and implacable fate pocked with numerous echoes of McCarthy’s great Blood Meridian (1985). Here, the story’s set in 1980 in southern Texas near the Mexican border, where aging Sheriff Bell, a decorated WWII veteran, broods heroically over the territory he’s sworn to protect, while—in a superb, sorrowful monologue—acknowledging the omnipresence of ineradicable evil all around him. Then the focus trains itself on Vietnam vet Llewellyn Moss, a hunter who stumbles upon several dead bodies, a stash of Mexican heroin and more than $2 million in cash that he absconds with. The tale then leaps among the hunted (Moss), an escaped killer (Anton Chigurh), whose crimes include double-crossing the drug cartel from which the money was taken, the Army Special Forces freelancer (Carson Wells) hired by druglords and—in dogged pursuit of all the horrors spawned by their several interactions—the intrepid, however flawed and guilty, stoical Sheriff Bell: perhaps the most fully human and sympathetic character McCarthy has ever created. The justly praised near-biblical style, an artful fusion of brisk declarative sentences and vivid, simple images, confers horrific intensity on the escalating violence and chaos, while precisely dramatizing the sense of nemesis that pursues and punishes McCarthy’s characters (scorpions in a sealed bottle). But this eloquent melodrama is seriously weakened by its insufficiently varied reiterated message: “if you were Satan . . . tryin to bring the human race to its knees, what you would probably come up with is narcotics.”
Magnificent writing, nonetheless, makes the best case yet for putting McCarthy on a pedestal just below the one occupied by William Faulkner.Pub Date: July 25, 2005
ISBN: 0-375-40677-8
Page Count: 352
Publisher: Knopf
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: May 1, 2005
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