by Gillian Bradshaw ‧ RELEASE DATE: April 15, 1993
In return for freeing the cruel, one-eyed Arimaspians from the curse of brutality, giving them back their eyes and tears and, in the process, saving the peaceful griffins from them, Apollo gives Aristeas magic and music but also dooms him to wander the world. As in some of her adult books, Bradshaw (the well-received The Dragon and the Thief, 1991, and its sequel) relates an adventure rich with myth and history. Aristeas, a different kind of Odysseus, blinds his Cyclopses by opening their true eyes, breaking a self-imposed curse in which they gave up compassion and creativity in return for hideous strength. The griffins are saved from the ravages of humans by being transported beyond the north wind, where peace and harmony rule; and the poet Aristeas (whose description of the Arimaspians was quoted by Herodotus) can no more return ``home'' once his eyes (and mind) are opened than a plant can return to seed. Contemporary parallels—with despots; with nature's need to be cared for with simple humanity; with the recognition that compassion may be more powerful than knowledge—are inescapable. Bradshaw imagines the ancient world as it might have been—and also tells a rousing and engrossing adventure story. (Fiction. 10+)
Pub Date: April 15, 1993
ISBN: 0-688-11357-5
Page Count: 192
Publisher: Greenwillow Books
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: March 1, 1993
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by Andrew Clements & illustrated by Brian Selznick ‧ RELEASE DATE: June 1, 2001
A world-class charmer, Clements (The Janitor’s Boy, 2000, etc.) woos aspiring young authors—as well as grown up publishers, editors, agents, parents, teachers, and even reviewers—with this tongue-in-cheek tale of a 12-year-old novelist’s triumphant debut. Sparked by a chance comment of her mother’s, a harried assistant editor for a (surely fictional) children’s imprint, Natalie draws on deep reserves of feeling and writing talent to create a moving story about a troubled schoolgirl and her father. First, it moves her pushy friend Zoe, who decides that it has to be published; then it moves a timorous, second-year English teacher into helping Zoe set up a virtual literary agency; then, submitted pseudonymously, it moves Natalie’s unsuspecting mother into peddling it to her waspish editor-in-chief. Depicting the world of children’s publishing as a delicious mix of idealism and office politics, Clements squires the manuscript past slush pile and contract, the editing process, and initial buzz (“The Cheater grabs hold of your heart and never lets go,” gushes Kirkus). Finally, in a tearful, joyous scene—carefully staged by Zoe, who turns out to be perfect agent material: cunning, loyal, devious, manipulative, utterly shameless—at the publication party, Natalie’s identity is revealed as news cameras roll. Selznick’s gnomic, realistic portraits at once reflect the tale’s droll undertone and deftly capture each character’s distinct personality. Terrific for flourishing school writing projects, this is practical as well as poignant. Indeed, it “grabs hold of yourheart and never lets go.” (Fiction. 10-12)
Pub Date: June 1, 2001
ISBN: 0-689-82594-3
Page Count: 160
Publisher: Simon & Schuster
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 2001
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by Andrew Clements ; illustrated by Brian Selznick
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BOOK REVIEW
by Francesco D’Adamo ‧ RELEASE DATE: Nov. 1, 2003
This profoundly moving story is all the more impressive because of its basis in fact. Although the story is fictionalized, its most harrowing aspects are true: “Today, more than two hundred million children between the ages of five and seventeen are ‘economically active’ in the world.” Iqbal Masih, a real boy, was murdered at age 13. His killers have never been found, but it’s believed that a cartel of ruthless people overseeing the carpet industry, the “Carpet Mafia,” killed him. The carpet business in Pakistan is the backdrop for the story of a young Pakistani girl in indentured servitude to a factory owner, who also “owned” the bonds of 14 children, indentured by their own families for sorely needed money. Fatima’s first-person narrative grips from the beginning and inspires with every increment of pride and resistance the defiant Iqbal instills in his fellow workers. Although he was murdered for his efforts, Iqbal’s life was not in vain; the accounts here of children who were liberated through his and activist adults’ efforts will move readers for years to come. (Fiction. 10-14)
Pub Date: Nov. 1, 2003
ISBN: 0-689-85445-5
Page Count: 128
Publisher: Atheneum
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 2003
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