“There were fat books, thin books, great enormous square books, old books, new books, and furry-touchy-feely books.” The...
This gentle read presents a rosy-cheeked child, brand-new library card in hand, dazzled by the array of choices surrounding her on the shelves.
“There were fat books, thin books, great enormous square books, old books, new books, and furry-touchy-feely books.” The title’s large trim size invites the listener inside the venerable building too, as do the vivid colors and whimsically shaped and decorated volumes. The protagonist earns her moniker when people notice her total absorption in the literary life. Lily is never without a book, and her tastes run the gamut from “rare lesser Amazonian” snakes to ghost stories. Her mother finally prods her to play in the park, where she meets the tree-climbing Milly, who hates reading. As their friendship develops, they come to appreciate the thrill of discovery in each other's realms. The thick, layered brushwork of the backgrounds and characters contrasts with the bits of cut-paper collage and simple shapes outlined in pencil to present a visually stimulating world—inside and outside the books. While there are no surprises here (nor cell phones, nor iPads), and not enough action to entertain rambunctious listeners, Chessa’s depiction of the interplay between the stories on the pages and those enacted by the girls is both clever and heartwarming.Pub Date: July 8, 2011
ISBN: 978-0-8028-5401-8
Page Count: 26
Publisher: Eerdmans
Review Posted Online: July 5, 2011
Kirkus Reviews Issue: July 15, 2011
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle...
Making things is difficult work. Readers will recognize the stages of this young heroine’s experience as she struggles to realize her vision.
First comes anticipation. The artist/engineer is spotted jauntily pulling a wagonload of junkyard treasures. Accompanied by her trusty canine companion, she begins drawing plans and building an assemblage. The narration has a breezy tone: “[S]he makes things all the time. Easy-peasy!” The colorful caricatures and creations contrast with the digital black outlines on a white background that depict an urban neighborhood. Intermittent blue-gray panels break up the white expanses on selected pages showing sequential actions. When the first piece doesn’t turn out as desired, the protagonist tries again, hoping to achieve magnificence. A model of persistence, she tries many adjustments; the vocabulary alone offers constructive behaviors: she “tinkers,” “wrenches,” “fiddles,” “examines,” “stares” and “tweaks.” Such hard work, however, combines with disappointing results, eventually leading to frustration, anger and injury. Explosive emotions are followed by defeat, portrayed with a small font and scaled-down figures. When the dog, whose expressions have humorously mirrored his owner’s through each phase, retrieves his leash, the resulting stroll serves them well. A fresh perspective brings renewed enthusiasm and—spoiler alert—a most magnificent scooter sidecar for a loyal assistant.
Spires’ understanding of the fragility and power of the artistic impulse mixes with expert pacing and subtle characterization for maximum delight. (Picture book. 4-7)Pub Date: April 1, 2014
ISBN: 978-1-55453-704-4
Page Count: 32
Publisher: Kids Can
Review Posted Online: Feb. 25, 2014
Kirkus Reviews Issue: March 15, 2014
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
A sweet and far-from-cloying ode to love.
A mysterious love letter brightens the lives of three forest animals.
Appealing mixed-media illustrations made of ink, gouache, brush marker, and colored pencil combine with a timely message that one kind act can start a chain reaction of kindness. When Hedgehog, Bunny, and Squirrel stumble in turn upon a formally composed love letter, each finds their life improved: Squirrel is less anxious, Bunny spreads goodwill through helpfulness, and Hedgehog is unusually cheerful. As the friends converge to try to discover who sent the letter, the real author appears in a (rather) convenient turn: a mouse who wrote an ode to the moon. Though disappointed that the letter was never meant for them, the friends reflect that the letter still made the world a happier place, making it a “wonderful mix-up.” Since there’s a lot of plot to follow, the book will best serve more-observant readers who are able to piece the narrative cleanly, but those older readers may also better appreciate the special little touches, such as the letter’s enticing, old-fashioned typewriter-style look, vignettes that capture small moments, or the subdued color palette that lends an elegant air. Drawn with minimalist, scribbly lines, the creatures achieve an invigorating balance between charming and spontaneous, with smudged lines that hint at layers of fur and simple, dotted facial expressions.
A sweet and far-from-cloying ode to love. (Picture book. 4-8)Pub Date: Oct. 8, 2019
ISBN: 978-0-06-274157-8
Page Count: 40
Publisher: Harper/HarperCollins
Review Posted Online: June 15, 2019
Kirkus Reviews Issue: July 1, 2019
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