While there’s little new ground broken, the missing child scenario, when done reasonably well, as it is here, is a reliable...
The search for a missing boy is seen through the split perspective of his frantic mother and the police detective determined to solve the case, despite its deleterious effect on his psychological health.
Newly divorced photographer mum Rachel Jenner thought she was giving her 8-year-old son, Ben Finch, a bit of freedom when she let him run ahead during a walk in a Bristol park. But when Ben vanishes, Rachel immediately blames herself, and the media is quick to paint her as a neglectful parent, too. Macmillan, in her debut, leans a bit hard on the “bad mother” trope, one that’s been well-trodden in recent fiction, but she creates a compellingly complex investigator in DI Jim Clemo. The narrative is split not only between Rachel's and Clemo’s perspectives, but also Clemo’s post-investigation sessions with a department-ordered shrink, indicating that however the Finch investigation turned out, it wasn’t pretty. As Rachel waits and frets at home, often in the company of her high-achieving older sister, Nicky, who clearly knows more than she lets on, Clemo and his fellow officers, including his secret girlfriend, DC Emma Zhang, whom he perhaps unwisely recommended as Family Liaison Officer for the case, try to piece together a case from a dearth of physical evidence. The requisite family secrets come to light, though Macmillan gets credit for some truly clever red herrings.
While there’s little new ground broken, the missing child scenario, when done reasonably well, as it is here, is a reliable hook, and with Macmillan’s taut pacing, this is an engaging debut.Pub Date: Dec. 1, 2015
ISBN: 978-0-06-241386-4
Page Count: 448
Publisher: Morrow/HarperCollins
Review Posted Online: Nov. 2, 2015
BOOK REVIEW
BOOK REVIEW
Box handles this foolproof formula with complete assurance, keeping the pot at a full boil until the perfunctory,...
The creator of Wyoming Fish and Game Warden Joe Pickett (Breaking Point, 2013, etc.) works the area around Yellowstone National Park in this stand-alone about a long-haul trucker with sex and murder on his mind.
The Lizard King, as he calls himself, normally targets lot lizards—prostitutes who work the parking lots adjacent to the rest stops that dot interstate highways. But he’s more than happy to move up to a higher class of victim when he runs across the Sullivan sisters. Danielle, 18, and Gracie, 16, are supposed to be driving from their mother’s home in Denver to their father’s in Omaha, but Danielle has had the bright idea of heading instead to Bozeman, Mont., to visit her boyfriend, Justin Hoyt. Far from home, their whereabouts known to only a few people, the girls are the perfect victims even before they nearly collide with the Lizard King’s rig and Danielle flips him off. Hours later, very shortly after he’s caught up with them in the depths of Yellowstone and done his best to eradicate every trace of his abduction, Justin, worried that Danielle refused his last phone call, tells his father that something bad has happened. Cody Hoyt, an investigator for the Lewis and Clark County Sheriff’s Department, is already having a tough day: At the insistence of his crooked boss, Sheriff Tubman, his longtime student and new partner, Cassandra Dewell, has just caught him planting evidence in an unrelated murder, and he’s been suspended from his job. If he’s lost his badge, though, Cody’s got plenty of time on his hands to drive downstate and meet with State Trooper Rick Legerski, the ex-husband of his dispatcher’s sister, to talk about what to do next. And so the countdown begins.
Box handles this foolproof formula with complete assurance, keeping the pot at a full boil until the perfunctory, anticlimactic and unsatisfactory ending.Pub Date: July 30, 2013
ISBN: 978-0-312-58320-0
Page Count: 400
Publisher: Minotaur
Review Posted Online: July 6, 2013
Kirkus Reviews Issue: July 15, 2013
BOOK TO SCREEN
Lacking in both thrills and chills.
Another homage to classic horror from a bestselling author.
Sager’s debut novel, Final Girls (2017), wasn’t so much a horror novel as a commentary about horror movies in novel form. It was clever but also very well-crafted. The author tried to do something similar with The Last Time I Lied (2018), with significantly less satisfying results. This new novel is another attempt to make the model work. Whether or not it does depends on how invested one is in formula for the sake of formula. Jules Larsen is getting over a breakup and the loss of her job when she finds a gig that seems too good to be true: The Bartholomew, a storied Manhattan building, wants to pay her thousands of dollars to simply occupy a vacant—and luxurious—apartment. Jules soon gets the feeling that all is not as it seems at the Bartholomew, which is, of course, a perfect setup for some psychological suspense, but the problem is that there is little in the way of narrative tension because Jules’ situation is so obviously not right from the very beginning. While interviewing for the job, she's asked about her health history. She's informed that she is not allowed to have guests in the apartment. She's warned that she must not interact with or talk to anyone else about the building’s wealthy and famous inhabitants. And she learns that she will be paid under the table. While this might not be enough to deter someone who is broke and desperate, it does mean that Jules should be a bit more concerned than she is when the really scary stuff starts happening. It’s possible to read this as a parody of the absurdly intrepid horror heroine, but, even as that, it’s not a particularly entertaining parody. Jules’ best friend makes a reference to American Horror Story, which feels less like a postmodern nod than a reminder that there are other, better examples of the genre that one could be enjoying instead.
Lacking in both thrills and chills.Pub Date: July 2, 2019
ISBN: 978-1-5247-4514-1
Page Count: 384
Publisher: Dutton
Review Posted Online: April 13, 2019
Kirkus Reviews Issue: May 1, 2019
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