An ambitious and multifaceted novel that cunningly challenges patriarchy and its consequences.
In Giordano’s debut historical novel, a young aristocrat is whisked away to her new husband’s Caribbean residence, where she discovers that all is not as it seems.
The novel opens in Somerset, England, in 1791. Eliza Hastings is the last unmarried daughter in her wealthy family, as she’s less interested in finding a potential mate than she is in spending time in the library. Her impatient parents arrange a function to which they invite numerous potential suitors, but rather than socialize, Eliza decides to pursue a beautiful moth through the garden. As she does so, she encounters a strange man with “wary green eyes”: Lord Charles Sharpe, a baron and lieutenant colonel of the British Legion. Soon after their first meeting, Sharpe requests Eliza’s hand in marriage, which she uncertainly accepts to get away from her family; they leave for his father’s house in the Bahamas shortly after the wedding ceremony, where Charles plans to put down roots. Even during their passage, something feels wrong. Charles is dismissive of Eliza, and they sleep in separate chambers (although the latter was not uncommon for the aristocracy of the period). Then, after their arrival at their destination, Charles forces himself upon her, finally revealing his violent, domineering character. Eliza is horrified by the presence of slavery on the plantation, and she finds herself a prisoner on the island. Her only pleasure, swimming, is forbidden by Charles, although she regularly disobeys him. Then Eliza’s life changes again when she meets an enigmatic, well-dressed gentleman named Jean Charles de Longchamp, who charms her with his knowledge of literature. In Jean, Eliza finds the possibility of new love and also, perhaps, an opportunity to break free.
This is a compelling series starter with a fascinatingly complex main character. Her driving ambition to escape her patriarchal society’s sexist expectations and experience the world on her own terms proves to be inspiring. Giordano communicates Eliza’s predicament with clarity and elegance: “He represented reason right now when she only wanted to chase after her hazy surroundings, comfortable in wantonness, and her newfound freedom.” Eliza and Charles’ heated conversations about slavery are particularly engaging, as when Eliza says, “I believe that men enjoy dominating others. Whether it is women or their fellow man. There is no moral justification for the trade, and there never shall be.” Charles, however, holds the vile assumptions of his time, gender, and class: “It is the natural order of things, my dear….Do not the strongest animals dominate the weaker ones?” In many respects, Eliza is a woman before her time: a 21st-century progressive feminist who refuses to tolerate Charles’ tiresome 18th-century condescension. This makes for thought-provoking reading; through Eliza’s perspective, readers witness the stark injustices and inequalities of colonial society with clarity. Meanwhile, Giordano produces formal yet amusing descriptive passages that may remind readers of Charlotte Brontë’s work: “An unimpressive corpulent man with red hair stepped forward, possessing ruddy flushed cheeks.” An ambitious and multifaceted novel that cunningly challenges patriarchy and its consequences.Pub Date: Dec. 13, 2022
ISBN: 9798986983400
Page Count: 536
Publisher: Käferhaus Press
Review Posted Online: May 12, 2023
Review Program: Kirkus Indie
BOOK REVIEW
A beautiful meditation on queer identity against a supernatural backdrop.
Three women deal very differently with vampirism in Schwab’s era-spanning follow-up to The Invisible Life of Addie LaRue (2020).
In 16th-century Spain, Maria seduces a wealthy viscount in an attempt to seize whatever control she can over her own life. It turns out that being a wife—even a wealthy one—is just another cage, but then a mysterious widow offers Maria a surprising escape route. In the 19th century, Charlotte is sent from her home in the English countryside to live with an aunt in London when she’s found trying to kiss her best friend. She’s despondent at the idea of marrying a man, but another mysterious widow—who has a secret connection to Maria’s widow from centuries earlier—appears and teaches Charlotte that she can be free to love whomever she chooses, if she’s brave enough. In 2019, Alice’s memories of growing up in Scotland with her mercurial older sister, Catty, pull her mind away from her first days at Harvard University. And though she doesn’t meet any mysterious widows, Alice wakes up alone after a one-night stand unable to tolerate sunlight, sporting two new fangs, and desperate to drink blood. Horrified at her transformation, she searches Boston for her hookup, who was the last person she remembers seeing before she woke up as a vampire. Schwab delicately intertwines the three storylines, which are compelling individually even before the reader knows how they will connect. Maria, Charlotte, and Alice are queer women searching for love, recognition, and wholeness, growing fangs and defying mortality in a world that would deny them their very existence. Alice’s flashbacks to Catty are particularly moving, and subtly play off themes of grief and loneliness laid out in the historical timelines.
A beautiful meditation on queer identity against a supernatural backdrop.Pub Date: June 10, 2025
ISBN: 9781250320520
Page Count: 544
Publisher: Tor
Review Posted Online: March 22, 2025
Kirkus Reviews Issue: April 15, 2025
BOOK REVIEW
BOOK REVIEW
BOOK REVIEW
PERSPECTIVES
PERSPECTIVES
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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