by Ginger Strand ‧ RELEASE DATE: Nov. 17, 2015
An engaging yet disquieting portrait of postwar America through the eyes of a pair of brothers who accomplished great things...
In this meticulously researched dual biography of scientist Bernard Vonnegut (1914-1997) and his brother, fiction writer Kurt (1922-2007), Orion contributing editor Strand (Killer on the Road: Violence and the American Interstate, 2012, etc.) focuses on the late 1940s to the early 1950s, when the brothers both worked at General Electric.
“Progress is our most important product,” the company proclaimed, a motto that both Vonneguts came to question. In 1942, Bernie moved from MIT’s meteorology department to the famed GE Research Laboratory, where scientists found the kind of free-ranging opportunities that later would define Silicon Valley: ample time and resources to explore and experiment. There, Bernie joined the team of Project Cirrus, investigating the possibility of “man-controlled weather,” specifically, cloud seeding to produce rain. Kurt, who had been a prisoner of war and witness to the bombing of Dresden, was intent on writing short stories. But in 1945, with a wife and young child to support, he joined GE’s public relations department, “churning out peppy overviews” of GE’s innovations while, at the same time, satirizing the company in short stories that, to his dismay, were repeatedly rejected. Strand closely examines both brothers’ careers in the context of postwar euphoria: science and technology were exalted as paths to a “brave new world,” and the nation flaunted its military and economic might. Optimistic about America’s future when they first joined GE, the brothers became increasingly pessimistic due to the Korean War, the heating up of the arms race, and Cold War politics. When Bernie realized that manipulating weather was seen as a potential weapon, he pressed for government oversight, despite much popular opposition to “planning” and “regulation.” Strand’s thoughtful history, drawn from abundant archival sources, recounts the brothers’ repeated frustrations and disillusion as they confronted, in their own ways, the unsettling ethical questions of their time.
An engaging yet disquieting portrait of postwar America through the eyes of a pair of brothers who accomplished great things in different fields.Pub Date: Nov. 17, 2015
ISBN: 978-0-374-11701-6
Page Count: 320
Publisher: Farrar, Straus and Giroux
Review Posted Online: Aug. 8, 2015
Kirkus Reviews Issue: Sept. 1, 2015
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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