by Gisela Fitzgerald ‧ RELEASE DATE: N/A
An illuminating look at an oft-overlooked figure in the life of one of Germany’s most famous writers.
Fitzgerald’s historical novel tells the story of the woman who loved Goethe.
The year is 1788 in Weimar, Germany; Christiane Vulpius is 23 years old. Times are tough financially for Christiane and her family, so she goes to state minister Johann Wolfgang von Goethe seeking help. Although Christiane is illiterate, her brother Christian is a budding writer who has recently published a dictionary of sorts titled the Glossarium for the Eighteenth Century in which he “describes how he sees life in their duchy” by going through every letter of the alphabet. Christiane visits Goethe on her brother’s behalf, carrying with her a petition for financial support. Goethe is an established writer at this point, freed from most of his duties as state minister so he can focus on his work. When Goethe sees Christiane, he is taken by her “natural, childlike appearance and folk songlike nature.” Goethe does not think highly of Christiane’s brother, nor would he ordinarily think highly of her, as she is someone at the very “bottom of society.” Yet he finds himself smitten. Goethe not only helps Christiane, he also begins a relationship with her that will ultimately lead to marriage. But as a “loathed commoner,” things are never easy for Christiane amongst Weimar high society. When the Napoleonic wars come around, things only become more difficult: In 1806, Weimar is “smoking in acid flames.” Her life as “Goethe’s housekeeper and wife” (as she is insultingly referred to) is only part of the story; in 2016, she returns from “the earth’s museum of bones” to see the world anew thanks to a guide who goes by the name Phoenix Neumann.
The novel tackles some compelling figures in a fascinating, eventful time period. The average English language reader has probably at least heard of Goethe, but many may not know much about his personal life, which was full of drama. Even before Christiane hit the scene, Goethe’s secretary Philipp Seidel seemed to have been more than a mere employee to the literary giant—in a letter from Seidel to a friend, he claimed their relationship was something akin to that of a husband and wife. (Seidel is quoted as writing, “That’s how I love him and he loves me, that’s how I serve him, that much supremacy he exercises over me.”) Throughout the novel, such historical material is woven into the narrative’s events. Sometimes the lack of such supporting material tells its own story: All that Goethe recorded in his diary about his wedding day was “Trauung (marriage).” As for the bride, “nothing is known of Christiane’s feelings” about the event. When the story shifts to modern times, Christiane experiences some expected confusion, such as when she tries to understand the World Wide Web or what Blinkist is; in these sections, the reader learns more about how both Goethe and Christiane have been remembered. The details are often compelling (like the fact that Christiane’s grave was unmarked for many years), but the prose can be a bit clunky; when Christiane sees the Goethe department store, she exclaims, “look at this big building.” Nevertheless, the work is much deeper than a dutiful re-creation of a famous author’s once-scandalous relationship.
Pub Date: N/A
ISBN: N/A
Page Count: -
Publisher: N/A
Review Posted Online: Jan. 16, 2025
Review Program: Kirkus Indie
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by Kristin Hannah ‧ RELEASE DATE: Feb. 3, 2015
Still, a respectful and absorbing page-turner.
Hannah’s new novel is an homage to the extraordinary courage and endurance of Frenchwomen during World War II.
In 1995, an elderly unnamed widow is moving into an Oregon nursing home on the urging of her controlling son, Julien, a surgeon. This trajectory is interrupted when she receives an invitation to return to France to attend a ceremony honoring passeurs: people who aided the escape of others during the war. Cut to spring, 1940: Viann has said goodbye to husband Antoine, who's off to hold the Maginot line against invading Germans. She returns to tending her small farm, Le Jardin, in the Loire Valley, teaching at the local school and coping with daughter Sophie’s adolescent rebellion. Soon, that world is upended: The Germans march into Paris and refugees flee south, overrunning Viann’s land. Her long-estranged younger sister, Isabelle, who has been kicked out of multiple convent schools, is sent to Le Jardin by Julien, their father in Paris, a drunken, decidedly unpaternal Great War veteran. As the depredations increase in the occupied zone—food rationing, systematic looting, and the billeting of a German officer, Capt. Beck, at Le Jardin—Isabelle’s outspokenness is a liability. She joins the Resistance, volunteering for dangerous duty: shepherding downed Allied airmen across the Pyrenees to Spain. Code-named the Nightingale, Isabelle will rescue many before she's captured. Meanwhile, Viann’s journey from passive to active resistance is less dramatic but no less wrenching. Hannah vividly demonstrates how the Nazis, through starvation, intimidation and barbarity both casual and calculated, demoralized the French, engineering a community collapse that enabled the deportations and deaths of more than 70,000 Jews. Hannah’s proven storytelling skills are ideally suited to depicting such cataclysmic events, but her tendency to sentimentalize undermines the gravitas of this tale.
Still, a respectful and absorbing page-turner.Pub Date: Feb. 3, 2015
ISBN: 978-0-312-57722-3
Page Count: 448
Publisher: St. Martin's
Review Posted Online: Nov. 19, 2014
Kirkus Reviews Issue: Dec. 1, 2014
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BOOK TO SCREEN
SEEN & HEARD
BOOK TO SCREEN
by Fredrik Backman ; translated by Neil Smith ‧ RELEASE DATE: May 6, 2025
A tender and moving portrait about the transcendent power of art and friendship.
An artwork’s value grows if you understand the stories of the people who inspired it.
Never in her wildest dreams would foster kid Louisa dream of meeting C. Jat, the famous painter of The One of the Sea, which depicts a group of young teens on a pier on a hot summer’s day. But in Backman’s latest, that’s just what happens—an unexpected (but not unbelievable) set of circumstances causes their paths to collide right before the dying 39-year-old artist’s departure from the world. One of his final acts is to bequeath that painting to Louisa, who has endured a string of violent foster homes since her mother abandoned her as a child. Selling the painting will change her life—but can she do it? Before deciding, she accompanies Ted, one of the artist’s close friends and one of the young teens captured in that celebrated painting, on a train journey to take the artist’s ashes to his hometown. She wants to know all about the painting, which launched Jat’s career at age 14, and the circle of beloved friends who inspired it. The bestselling author of A Man Called Ove (2014) and other novels, Backman gives us a heartwarming story about how these friends, set adrift by the violence and unhappiness of their homes, found each other and created a new definition of family. “You think you’re alone,” one character explains, “but there are others like you, people who stand in front of white walls and blank paper and only see magical things. One day one of them will recognize you and call out: ‘You’re one of us!’” As Ted tells stories about his friends—how Jat doubted his talents but found a champion in fiery Joar, who took on every bully to defend him; how Ali brought an excitement to their circle that was “like a blinding light, like a heart attack”—Louisa recognizes herself as a kindred soul and feels a calling to realize her own artistic gifts. What she decides to do with the painting is part of a caper worthy of the stories that Ted tells her. The novel is humorous, poignant, and always life-affirming, even when describing the bleakness of the teens’ early lives. “Art is a fragile magic, just like love,” as someone tells Louisa, “and that’s humanity’s only defense against death.”
A tender and moving portrait about the transcendent power of art and friendship.Pub Date: May 6, 2025
ISBN: 9781982112820
Page Count: 448
Publisher: Atria
Review Posted Online: July 4, 2025
Kirkus Reviews Issue: Aug. 1, 2025
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More by Fredrik Backman
BOOK REVIEW
by Fredrik Backman translated by Neil Smith
BOOK REVIEW
BOOK REVIEW
by Fredrik Backman ; translated by Neil Smith
More About This Book
SEEN & HEARD
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