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SNAKES AND LADDERS

GLIMPSES OF MODERN INDIA

Short essays about the ``alarming speed with which India is changing,'' by an admired novelist (A River Sutra, 1993, etc.). Mehta, born in India before her country gained independence, lived through that period with a child's alert imagination and has been passionately studying the place ever since—although, as she makes plain here, her identity is as much cosmopolitan (with moorings in London and Manhattan) as Indian. While some of these pieces seem too hectic, possessing a heady, dashed-off quality, Mehta's quickness of mind and pen is also her strength. She can plunge us into the intensely remembered girlhood pleasures of reading Nabokov and Kerouac and ``Archie'' comics in Calcutta's impromptu lending libraries. She can precisely catch the differences between a concert audience in India and another in America: ``Art is not just something displayed by the talented to a passive audience,'' she writes, observing an Indian singer, ``but, rather, that moment when the artist, the audience, the subject, the discipline—all combine to become something approaching religious experience, a moment of mutual creation.'' Mehta also tells spirited personal stories of her adventures and researches, such as seeking out ragpickers to find out how they live. She's very good on the ethics of power: ``The most interesting evolution in independent India is the change from individual fearlessness in the face of social and political injustice to craven courting of those who possess social and political power.'' Shrewdly, she avoids generalizing about India, concentrating instead on a wide range of quite specific topics- -e.g., the spiritual meaning of trees to Indians; interior design as a clue to the country's character; the coming of high-tech and shopping malls to the land of Gandhi. Pugnacious in tone and irreverent in critique, Mehta clearly loves her home and is maddened by it. (First serial to Vogue; author tour)

Pub Date: May 1, 1997

ISBN: 0-385-47495-4

Page Count: 320

Publisher: Nan A. Talese

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: March 15, 1997

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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GENGHIS KHAN AND THE MAKING OF THE MODERN WORLD

A horde-pleaser, well-written and full of surprises.

“The Mongols swept across the globe as conquerors,” writes the appreciative pop anthropologist-historian Weatherford (The History of Money, 1997, etc.), “but also as civilization’s unrivaled cultural carriers.”

No business-secrets fluffery here, though Weatherford does credit Genghis Khan and company for seeking “not merely to conquer the world but to impose a global order based on free trade, a single international law, and a universal alphabet with which to write all the languages of the world.” Not that the world was necessarily appreciative: the Mongols were renowned for, well, intemperance in war and peace, even if Weatherford does go rather lightly on the atrocities-and-butchery front. Instead, he accentuates the positive changes the Mongols, led by a visionary Genghis Khan, brought to the vast territories they conquered, if ever so briefly: the use of carpets, noodles, tea, playing cards, lemons, carrots, fabrics, and even a few words, including the cheer hurray. (Oh, yes, and flame throwers, too.) Why, then, has history remembered Genghis and his comrades so ungenerously? Whereas Geoffrey Chaucer considered him “so excellent a lord in all things,” Genghis is a byword for all that is savage and terrible; the word “Mongol” figures, thanks to the pseudoscientific racism of the 19th century, as the root of “mongoloid,” a condition attributed to genetic throwbacks to seed sown by Mongol invaders during their decades of ravaging Europe. (Bad science, that, but Dr. Down’s son himself argued that imbeciles “derived from an earlier form of the Mongol stock and should be considered more ‘pre-human, rather than human.’ ”) Weatherford’s lively analysis restores the Mongols’ reputation, and it takes some wonderful learned detours—into, for instance, the history of the so-called Secret History of the Mongols, which the Nazis raced to translate in the hope that it would help them conquer Russia, as only the Mongols had succeeded in doing.

A horde-pleaser, well-written and full of surprises.

Pub Date: March 2, 2004

ISBN: 0-609-61062-7

Page Count: 320

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Dec. 1, 2003

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