Imaginative and engaging magical fiction.
A Hawaii-set, paranormal middle-grade series starter that tells a story about the power of friendship and sacrifice.
Spudich (The Ice Giant, 2019, etc.) presents an exciting tale of a hidden world of sorcerers, goddesses, and people with elemental powers. Tess and her three friends, Amelia, Susie, and Elizabeth, have a bond that’s reflected in the necklaces they wear, highlighting the four elements: fire, water, earth, and air. However, as they get ready to start high school, Amelia’s closeness with her friend Tess, who suffers from a lack of confidence, seems to be fading. The other girls face their own challenges; for example, Elizabeth shows a lack of interest in exercise, and Susie is starting to show impulsive behavior. When Amelia’s sorcerer father, whom she’s never met, suddenly kidnaps her, she embarks on a surprising adventure involving the use of magic. Amelia eventually meets a surprising ally named Akoni; he helps her fight back against her father, who wants Amelia to join him in his dark magic endeavors. Through clever problem-solving and the use of a few magical items, the girls manage to locate Amelia, but their challenges aren’t over. Over the course of this book, Spudich maintains an atmosphere of peril that keeps the pace lively, but she never makes any scenes too scary for older elementary school–age readers to enjoy. The conclusion offers the touching lesson that people can change but still remain close friends. The prose style is simple and straightforward throughout, but the characters are, by contrast, quite complex; the unsure Tess and Amelia’s sorcerer father are each particularly well developed. Young fans of fantastical fiction will also enjoy this book’s magic system, which is inventive without being overly complicated.
Imaginative and engaging magical fiction.Pub Date: May 27, 2019
ISBN: 978-1-947854-50-5
Page Count: 366
Publisher: Handersen Publishing
Review Posted Online: Oct. 1, 2019
Kirkus Reviews Issue: Dec. 1, 2019
Review Program: Kirkus Indie
BOOK REVIEW
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
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