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THE EVERYMAN CHESTERTON

A welcome taste of Chesterton, who remains most readable today. Now for a second volume to fill in the gaps.

An edifying but still incomplete sampling from the work of the great British novelist, moralist and philosopher.

Though he died 75 years ago, Gilbert Keith Chesterton’s (1874–1936) influence is still strong, particularly among Catholic intellectuals of a moderately conservative bent—the same audience, say, that reads Garry Wills and Cardinal Newman for fun. Ker, whose biography of Chesterton will appear later this year, does a good job of selecting material that readily illustrates why this influence should continue. It also shows what a fluent, often entertaining writer Chesterton was. The selections from the fiction, apart from the beloved Father Brown stories, are lighter than some might wish; particularly noticeable is the absence of what many hold to be Chesterton’s best novel, The Man Who Was Thursday. Ker explains that the absence owes to the fact that it and The Napoleon of Notting Hill are readily available—but so are the Father Brown yarns. The editor does help reestablish Chesterton as a literary critic with a particularly extensive knowledge of the Victorian era in which he came of age; the selections from Chesterton’s studies of Victorian literature, from the novels of Dickens to the poetry of Browning and the essays of Ruskin, are extensive and satisfying. Welcome, if also too brief, are selections from Chesterton’s autobiography, in which he confesses, “I look back to that landscape of my first days with a pleasure that should doubtless be reserved for the Utopias of the Futurist.” Was he a happy writer? Yes, and even when Chesterton was locking horns with Marxists and reactionaries on either side, he tended to be gently civil—even if he dismissed his contemporary Friedrich Nietzsche for harboring “a nonsensical idea that men had once sought as good what we now call evil.” Of particular interest are Chesterton’s thoughtful notes on Christianity (“In a word, St Thomas was making Christendom more Christian in making it more Aristotelian”), which are of a piece and lineage with the better-known writings of C.S. Lewis.

A welcome taste of Chesterton, who remains most readable today. Now for a second volume to fill in the gaps.

Pub Date: April 5, 2011

ISBN: 978-0-307-59497-6

Page Count: 900

Publisher: Everyman’s Library

Review Posted Online: Feb. 1, 2011

Kirkus Reviews Issue: Feb. 1, 2011

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THE ELEMENTS OF STYLE

50TH ANNIVERSARY EDITION

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...

Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.

Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").

Pub Date: May 15, 1972

ISBN: 0205632645

Page Count: 105

Publisher: Macmillan

Review Posted Online: Oct. 28, 2011

Kirkus Reviews Issue: May 1, 1972

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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