Like running up a spiral staircase—you might see where it’s going, but the twists will leave you dizzy.
In Apseloff’s (Overdose, 2013, etc.) medical thriller, a doctor finds that recent strange events, such as his inability to remember an entire day, connect to his all-expenses-paid trip to Italy.
Dr. Jake Warner would much rather forget Alicia. She walked into the emergency room, her foot severed, with a gun and her dead father’s diary in her handbag. He plans to use psychiatrist Dr. Abrams’ “memory ablation,” which was used elsewhere to wipe a patient’s memory of watching his wife bleed to death from a car accident. When Jake wins a sweepstakes for a European vacation—strangely, it’s courtesy of a grocery store chain called Colossus—it sounds too good to be true. Maybe it is. He starts seeing a correlation between what happened to Lyle, Alicia’s father, who couldn’t remember 10 years of his life, and his own new situation, starting with Colossus’ peculiar “rules,” including limited communication with the outside world. The book moves forward with impressive momentum: Jake, a resident, moves from his ER rotation to the psych ward; he’s only there for a week before asking for two weeks off and flying to Milan. The story piles on the questions, from why Alicia was carrying a gun to why Charlotte, the British model Jake meets on the plane, seems a little too interested in him. Jake meets another woman, this one an American, Tykeria, and he’s smitten; their romance is coupled with the intrigue of solving the mystery of Lyle’s diary, in which he detailed dreams that seem to be coded interpretations of his lost memories. Amid the abundance of plot twists, the story features a number of unnerving moments, including Charlotte’s obsession over Jake, a stranger trying to access Tykeria’s hotel door, Tykeria and Jake’s thinking that they’re being followed, and more than one seemingly inexplicable death. Apseloff unravels the surprises one, maybe two, at a time and keeps everything from becoming a jumbled mess. By the end, most but not all of the questions are resolved, with a coda that readers, unlike Lyle, won’t forget.
Like running up a spiral staircase—you might see where it’s going, but the twists will leave you dizzy.Pub Date: Dec. 4, 2013
ISBN: N/A
Page Count: 353
Publisher: Amazon Digital Services
Review Posted Online: April 7, 2014
Review Program: Kirkus Indie
BOOK REVIEW
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.
Are we not men? We are—well, ask Bigfoot, as Brooks does in this delightful yarn, following on his bestseller World War Z(2006).
A zombie apocalypse is one thing. A volcanic eruption is quite another, for, as the journalist who does a framing voice-over narration for Brooks’ latest puts it, when Mount Rainier popped its cork, “it was the psychological aspect, the hyperbole-fueled hysteria that had ended up killing the most people.” Maybe, but the sasquatches whom the volcano displaced contributed to the statistics, too, if only out of self-defense. Brooks places the epicenter of the Bigfoot war in a high-tech hideaway populated by the kind of people you might find in a Jurassic Park franchise: the schmo who doesn’t know how to do much of anything but tries anyway, the well-intentioned bleeding heart, the know-it-all intellectual who turns out to know the wrong things, the immigrant with a tough backstory and an instinct for survival. Indeed, the novel does double duty as a survival manual, packed full of good advice—for instance, try not to get wounded, for “injury turns you from a giver to a taker. Taking up our resources, our time to care for you.” Brooks presents a case for making room for Bigfoot in the world while peppering his narrative with timely social criticism about bad behavior on the human side of the conflict: The explosion of Rainier might have been better forecast had the president not slashed the budget of the U.S. Geological Survey, leading to “immediate suspension of the National Volcano Early Warning System,” and there’s always someone around looking to monetize the natural disaster and the sasquatch-y onslaught that follows. Brooks is a pro at building suspense even if it plays out in some rather spectacularly yucky episodes, one involving a short spear that takes its name from “the sucking sound of pulling it out of the dead man’s heart and lungs.” Grossness aside, it puts you right there on the scene.
A tasty, if not always tasteful, tale of supernatural mayhem that fans of King and Crichton alike will enjoy.Pub Date: June 16, 2020
ISBN: 978-1-9848-2678-7
Page Count: 304
Publisher: Del Rey/Ballantine
Review Posted Online: Feb. 9, 2020
Kirkus Reviews Issue: March 1, 2020
BOOK REVIEW
BOOK TO SCREEN
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.
Cormac McCarthy's The Road meets Chaucer's Canterbury Tales in this frightful medieval epic about an orphan girl with visionary powers in plague-devastated France.
The year is 1348. The conflict between France and England is nothing compared to the all-out war building between good angels and fallen ones for control of heaven (though a scene in which soldiers are massacred by a rainbow of arrows is pretty horrific). Among mortals, only the girl, Delphine, knows of the cataclysm to come. Angels speak to her, issuing warnings—and a command to run. A pack of thieves is about to carry her off and rape her when she is saved by a disgraced knight, Thomas, with whom she teams on a march across the parched landscape. Survivors desperate for food have made donkey a delicacy and don't mind eating human flesh. The few healthy people left lock themselves in, not wanting to risk contact with strangers, no matter how dire the strangers' needs. To venture out at night is suicidal: Horrific forces swirl about, ravaging living forms. Lethal black clouds, tentacled water creatures and assorted monsters are comfortable in the daylight hours as well. The knight and a third fellow journeyer, a priest, have difficulty believing Delphine's visions are real, but with oblivion lurking in every shadow, they don't have any choice but to trust her. The question becomes, can she trust herself? Buehlman, who drew upon his love of Fitzgerald and Hemingway in his acclaimed Southern horror novel, Those Across the River (2011), slips effortlessly into a different kind of literary sensibility, one that doesn't scrimp on earthy humor and lyrical writing in the face of unspeakable horrors. The power of suggestion is the author's strong suit, along with first-rate storytelling talent.
An author to watch, Buehlman is now two for two in delivering eerie, offbeat novels with admirable literary skill.Pub Date: Oct. 2, 2012
ISBN: 978-1-937007-86-7
Page Count: 432
Publisher: Ace/Berkley
Review Posted Online: Sept. 1, 2012
Kirkus Reviews Issue: Sept. 15, 2012
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