A witty, winking political novel sure to satisfy liberals in an age of extreme partisanship.
On the verge of retirement, a straight-talking U.S. congressman campaigns for president in this fast-paced, wryly comic, and vastly satisfying political satire.
Just weeks after announcing he wouldn’t be seeking re-election, Congressman Evan Gorgoni of Indiana finds himself thrust back into the national spotlight after his frank and defeatist appearance on Meet The Press. “Truth is…there are too many people in the world,” he says. “If civilization keeps procreating this way, we’re doomed.” Refreshed by his realist approach, the media starts floating his name for a presidential bid. The Democratic senator ignores the hype—he’s enjoying retirement—until meeting his would-be contenders. “If I don’t run,” he tells Monty Berg, his quick-witted campaign manager, “the country’s going to choose between another cynical tax-cutter, and Nate Poston. Who has never met a question he couldn’t dodge.” With the help of Monty, he wins the Democratic primary and spends the rest of Merzer’s electrifying debut novel running against his Republican opponent, Gov. Malcolm Benneton, on a loose platform of population control and environmental sustainability. Refusing to prepare speeches, Gorgoni eschews grand promises and often loses himself in tangents. “My fellow Americans, I say to you with deep conviction in my soul, let us do away, totally, irreversibly, and permanently, with the leaf blower,” he says during his acceptance speech. Using real names of contemporary figures and writing with a keen eye for the absurdities of the American political system, Merzer offers a story of brash realism in an age of congressional gridlock. While most left-leaning readers will cheer for Gorgoni, many conservatives will likely find the novel dismissive of their ideology. Nevertheless, the author writes with a steady pen, and he rarely misses the opportunity for a joke. Whatever their politics, readers will chuckle at this systemwide sendup.
A witty, winking political novel sure to satisfy liberals in an age of extreme partisanship.Pub Date: Nov. 21, 2014
ISBN: 978-0692315163
Page Count: 236
Publisher: Vivid Thoughts Press
Review Posted Online: March 9, 2015
Kirkus Reviews Issue: April 15, 2015
Review Program: Kirkus Indie
The phrase “tour de force” could have been invented for this audacious novel.
Four men who meet as college roommates move to New York and spend the next three decades gaining renown in their professions—as an architect, painter, actor and lawyer—and struggling with demons in their intertwined personal lives.
Yanagihara (The People in the Trees, 2013) takes the still-bold leap of writing about characters who don’t share her background; in addition to being male, JB is African-American, Malcolm has a black father and white mother, Willem is white, and “Jude’s race was undetermined”—deserted at birth, he was raised in a monastery and had an unspeakably traumatic childhood that’s revealed slowly over the course of the book. Two of them are gay, one straight and one bisexual. There isn’t a single significant female character, and for a long novel, there isn’t much plot. There aren’t even many markers of what’s happening in the outside world; Jude moves to a loft in SoHo as a young man, but we don’t see the neighborhood change from gritty artists’ enclave to glitzy tourist destination. What we get instead is an intensely interior look at the friends’ psyches and relationships, and it’s utterly enthralling. The four men think about work and creativity and success and failure; they cook for each other, compete with each other and jostle for each other’s affection. JB bases his entire artistic career on painting portraits of his friends, while Malcolm takes care of them by designing their apartments and houses. When Jude, as an adult, is adopted by his favorite Harvard law professor, his friends join him for Thanksgiving in Cambridge every year. And when Willem becomes a movie star, they all bask in his glow. Eventually, the tone darkens and the story narrows to focus on Jude as the pain of his past cuts deep into his carefully constructed life.
The phrase “tour de force” could have been invented for this audacious novel.Pub Date: March 10, 2015
ISBN: 978-0-385-53925-8
Page Count: 720
Publisher: Doubleday
Review Posted Online: Dec. 21, 2014
Kirkus Reviews Issue: Jan. 1, 2015
BOOK REVIEW
BOOK REVIEW
PROFILES
PERSPECTIVES
A strict report, worthy of sympathy.
A violent surfacing of adolescence (which has little in common with Tarkington's earlier, broadly comic, Seventeen) has a compulsive impact.
"Nobody big except me" is the dream world of Holden Caulfield and his first person story is down to the basic, drab English of the pre-collegiate. For Holden is now being bounced from fancy prep, and, after a vicious evening with hall- and roommates, heads for New York to try to keep his latest failure from his parents. He tries to have a wild evening (all he does is pay the check), is terrorized by the hotel elevator man and his on-call whore, has a date with a girl he likes—and hates, sees his 10 year old sister, Phoebe. He also visits a sympathetic English teacher after trying on a drunken session, and when he keeps his date with Phoebe, who turns up with her suitcase to join him on his flight, he heads home to a hospital siege. This is tender and true, and impossible, in its picture of the old hells of young boys, the lonesomeness and tentative attempts to be mature and secure, the awful block between youth and being grown-up, the fright and sickness that humans and their behavior cause the challenging, the dramatization of the big bang. It is a sorry little worm's view of the off-beat of adult pressure, of contemporary strictures and conformity, of sentiment….
A strict report, worthy of sympathy.Pub Date: June 15, 1951
ISBN: 0316769177
Page Count: -
Publisher: Little, Brown
Review Posted Online: Nov. 2, 2011
Kirkus Reviews Issue: June 15, 1951
BOOK REVIEW
SEEN & HEARD
SEEN & HEARD
APPRECIATIONS
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