Thoroughly researched and written with passion—and a bit of bite.
A rich chronicle of craft in America from Jamestown to the present day.
In his latest book on craft, historian and curator Adamson displays his vast knowledge of crafts, artisans, and political and business figures who have helped or hindered craft’s advancement. He notes the evolution from craft-as-survival to its current status as a much smaller—but significant—part of our overall economy. He also sees its potential as a way to begin to reunite a divided country. (The author has a couple of harsh comments for Donald Trump, at one point calling him a “farcical blowhard.”) Adamson leads us on a chronological journey through American history, pointing out along the way—sometimes in lush detail—the various craft movements and ideas that were prominent at certain times. The text swarms with interesting anecdotes and names—some well-known (Benjamin Franklin, Henry David Thoreau, Martha Stewart) and others who will be less familiar to most readers: James Pembroke, the first Black man to attend classes at Yale; Candace Wheeler, one of America’s first interior designers, who “realized what many of her fellow craft reformers did not: that beauty and practicality did not always go together, and were often in conflict”; and Juliette Gordon Low, founder of the Girl Scouts. Throughout the narrative, the author displays a sensible sensitivity to various cultural, racial, and gender issues that remain with us—from the brutal treatment of Native peoples and African Americans to the denial of equal labor rights (and salaries) to women. Adamson also corrects some myths, noting that there’s no real evidence that Betsy Ross sewed the first American flag: “The thing everyone knows about her…turns out to be uncertain at best, and perhaps an invention from whole cloth, put about by over-enthusiastic descendants.” The author offers welcome details about such topics as repressive schools for American Indians (e.g., Carlisle Indian School) and Rosie the Riveter.
Thoroughly researched and written with passion—and a bit of bite.Pub Date: Jan. 19, 2021
ISBN: 978-1-63557-458-6
Page Count: 352
Publisher: Bloomsbury
Review Posted Online: Oct. 4, 2020
Kirkus Reviews Issue: Oct. 15, 2020
BOOK REVIEW
BOOK REVIEW
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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