Thoroughly researched and written with passion—and a bit of bite.

CRAFT

AN AMERICAN HISTORY

A rich chronicle of craft in America from Jamestown to the present day.

In his latest book on craft, historian and curator Adamson displays his vast knowledge of crafts, artisans, and political and business figures who have helped or hindered craft’s advancement. He notes the evolution from craft-as-survival to its current status as a much smaller—but significant—part of our overall economy. He also sees its potential as a way to begin to reunite a divided country. (The author has a couple of harsh comments for Donald Trump, at one point calling him a “farcical blowhard.”) Adamson leads us on a chronological journey through American history, pointing out along the way—sometimes in lush detail—the various craft movements and ideas that were prominent at certain times. The text swarms with interesting anecdotes and names—some well-known (Benjamin Franklin, Henry David Thoreau, Martha Stewart) and others who will be less familiar to most readers: James Pembroke, the first Black man to attend classes at Yale; Candace Wheeler, one of America’s first interior designers, who “realized what many of her fellow craft reformers did not: that beauty and practicality did not always go together, and were often in conflict”; and Juliette Gordon Low, founder of the Girl Scouts. Throughout the narrative, the author displays a sensible sensitivity to various cultural, racial, and gender issues that remain with us—from the brutal treatment of Native peoples and African Americans to the denial of equal labor rights (and salaries) to women. Adamson also corrects some myths, noting that there’s no real evidence that Betsy Ross sewed the first American flag: “The thing everyone knows about her…turns out to be uncertain at best, and perhaps an invention from whole cloth, put about by over-enthusiastic descendants.” The author offers welcome details about such topics as repressive schools for American Indians (e.g., Carlisle Indian School) and Rosie the Riveter.

Thoroughly researched and written with passion—and a bit of bite.

Pub Date: Jan. 19, 2021

ISBN: 978-1-63557-458-6

Page Count: 352

Publisher: Bloomsbury

Review Posted Online: Oct. 5, 2020

Kirkus Reviews Issue: Oct. 15, 2020

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An oft-ignored but fully convincing argument that “we cannot prevent the next pandemic without creating a healthy world.”

THE CONTAGION NEXT TIME

The Covid-19 pandemic is not a one-off catastrophe. An epidemiologist presents a cogent argument for a fundamental refocusing of resources on “the foundational forces that shape health.”

In this passionate and instructive book, Galea, dean of the Boston University School of Public Health, writes that Covid emerged because we have long neglected basic preventative measures. “We invest vast amounts of money in healthcare,” he writes, “but comparatively little in health.” Readers looking to learn how governments (mainly the U.S.) mishandled the pandemic have a flood of books to choose from, but Galea has bigger issues to raise. Better medical care will not stop the next epidemic, he warns. We must structure a world “that is resilient to contagions.” He begins by describing the current state of world health, where progress has been spectacular. Global life expectancy has more than doubled since 1900. Malnutrition, poverty, and child mortality have dropped. However, as the author stresses repeatedly, medical progress contributed far less to the current situation than better food, clean water, hygiene, education, and prosperity. That’s the good news. More problematic is that money is a powerful determinant of health; those who have it live longer. Galea begins the bad news by pointing out the misleading statistic that Covid-19 kills less than 1% of those infected; that applies to young people in good health. For those over 60, it kills 6%, for diabetics, over 7%, and those with heart disease, over 10%. It also kills more Blacks than Whites, more poor than middle-class people, and more people without health insurance. The author is clearly not just interested in Covid. He attacks racism, sexism, and poverty in equal measure, making a plea for compassion toward stigmatized conditions such as obesity and addiction. He consistently urges the U.S. government, which has spared no expense and effort to defeat the pandemic, to do the same for social injustice.

An oft-ignored but fully convincing argument that “we cannot prevent the next pandemic without creating a healthy world.”

Pub Date: Nov. 1, 2021

ISBN: 978-0-19-757642-7

Page Count: 280

Publisher: Oxford Univ.

Review Posted Online: Aug. 28, 2021

Kirkus Reviews Issue: Sept. 15, 2021

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A refreshingly candid, fearless look into a model’s body of work and its impact on her identity and politics.

MY BODY

The international model embarks on a nuanced investigation of her body and identity.

Ratajkowski’s exploration of fame, self-identity, and what it means to be a “beautiful” woman is surprisingly engaging. Originally thrust into the spotlight in 2013 due to her scantily clad appearance in the music video for Robin Thicke’s “Blurred Lines,” the author eventually became known for her stances about beauty and sexuality and how they are commodified. Now that she is a wife and mother, she writes, “I feel a tenderness toward my younger self. My defensiveness and defiance are palpable to me now. What I wrote and preached then reflected what I believed at the time, but it missed a much more complicated picture. In many ways, I have been undeniably rewarded by capitalizing on my sexuality….But in other, less overt ways, I’ve felt objectified and limited by my position in the world as a so-called sex symbol.” This short book includes the juicy tidbits that avid celebrity-memoir readers seek, and the author shares how she really felt about the video shoot and how the aftermath affected her. Beyond that, the book is a reflective coming-of-age-in-the-industry tale, a story that is never maudlin but contains a few thick, murky sections. Ratajkowski attempts to break down the construction of her identity and sexuality in relation to the ever present male gaze as well as her relationships with the women in her life. The charm of this book lies in the author’s largely relatable writing, which shows the complex emotions and confusion of a young woman experiencing her sexual development and maturation into a capable adult. Admitting that the “purpose of the book is not to arrive at answers, but honestly to explore ideas I can’t help but return to,” Ratajkowski grapples directly with a host of thorny issues.

A refreshingly candid, fearless look into a model’s body of work and its impact on her identity and politics.

Pub Date: Nov. 9, 2021

ISBN: 978-1-250-81786-0

Page Count: 256

Publisher: Metropolitan/Henry Holt

Review Posted Online: Sept. 15, 2021

Kirkus Reviews Issue: Oct. 1, 2021

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