by Glenn Peterson ‧ RELEASE DATE: April 15, 2019
A historically intriguing and tender retrospective.
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In this debut book, a writer offers a tribute to his mother, who left Denmark after World War II to marry a handsome American soldier.
Born in 1923 in a small town in Denmark, Inge Elizabeth Buus grew up on the family farm, a successful enterprise. But she did not take to country life. She decided to study nursing and, to that end, moved to Copenhagen after finishing high school. Nursing was satisfying, but her ankles, weakened from rickets, became compromised, and Inge secured a high-paying job as a bookkeeper for “Burmeister and Wain, the largest shipyard in Denmark.” The Germans occupied Denmark in 1940. Although the country was under the yoke of the Third Reich, Hitler’s demand for new ships brought temporary prosperity. Peterson’s attention to the details of the war as experienced in Denmark creates one of the more captivating sections of the book. Following the Nazis’ surrender, Robert, an American soldier stationed in Germany, took his 10-day leave in Copenhagen. At a dance for GIs and British soldiers, he met Inge. After a week’s courtship, Inge knew she had found her life partner; 10 months later, in September 1946, she sailed to America to marry him. The author was born in November 1947. Over the course of his mother’s life, she would make 24 trips back to Denmark, 11 of those accompanied by Peterson. His comprehensive account of those journeys, including, it seems, a citing of every tourist and off-the-beaten-track spot they visited, forms a travelogue of sorts within the larger narrative. Especially close to his mother, the author delivers recollections of his own life that primarily concern activities he shared with his parents, especially Inge. He does devote several pages to a strange and tiresome obsession over what he believes was an inadequate third grade education. And some readers are likely to find his occasional political snark off-putting. He refers to payroll taxes as supporting “restrictive government programs…designed to mollify ‘the little people.’ ” The generally engaging prose is augmented with a substantial supply of black-and-white and color family photographs.
A historically intriguing and tender retrospective.Pub Date: April 15, 2019
ISBN: 978-1-949735-76-5
Page Count: 210
Publisher: Ideopage Press Solutions
Review Posted Online: March 24, 2020
Review Program: Kirkus Indie
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by William Strunk & E.B. White ‧ RELEASE DATE: May 15, 1972
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis...
Privately published by Strunk of Cornell in 1918 and revised by his student E. B. White in 1959, that "little book" is back again with more White updatings.
Stricter than, say, Bergen Evans or W3 ("disinterested" means impartial — period), Strunk is in the last analysis (whoops — "A bankrupt expression") a unique guide (which means "without like or equal").Pub Date: May 15, 1972
ISBN: 0205632645
Page Count: 105
Publisher: Macmillan
Review Posted Online: Oct. 28, 2011
Kirkus Reviews Issue: May 1, 1972
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by E.T.A. Hoffmann ‧ RELEASE DATE: Oct. 28, 1996
This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)
Pub Date: Oct. 28, 1996
ISBN: 0-15-100227-4
Page Count: 136
Publisher: Harcourt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 1996
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by E.T.A. Hoffmann ; adapted by Natalie Andrewson ; illustrated by Natalie Andrewson
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by E.T.A. Hoffmann & illustrated by Julie Paschkis
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