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THE GIRL FROM COPENHAGEN

A historically intriguing and tender retrospective.

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In this debut book, a writer offers a tribute to his mother, who left Denmark after World War II to marry a handsome American soldier.

Born in 1923 in a small town in Denmark, Inge Elizabeth Buus grew up on the family farm, a successful enterprise. But she did not take to country life. She decided to study nursing and, to that end, moved to Copenhagen after finishing high school. Nursing was satisfying, but her ankles, weakened from rickets, became compromised, and Inge secured a high-paying job as a bookkeeper for “Burmeister and Wain, the largest shipyard in Denmark.” The Germans occupied Denmark in 1940. Although the country was under the yoke of the Third Reich, Hitler’s demand for new ships brought temporary prosperity. Peterson’s attention to the details of the war as experienced in Denmark creates one of the more captivating sections of the book. Following the Nazis’ surrender, Robert, an American soldier stationed in Germany, took his 10-day leave in Copenhagen. At a dance for GIs and British soldiers, he met Inge. After a week’s courtship, Inge knew she had found her life partner; 10 months later, in September 1946, she sailed to America to marry him. The author was born in November 1947. Over the course of his mother’s life, she would make 24 trips back to Denmark, 11 of those accompanied by Peterson. His comprehensive account of those journeys, including, it seems, a citing of every tourist and off-the-beaten-track spot they visited, forms a travelogue of sorts within the larger narrative. Especially close to his mother, the author delivers recollections of his own life that primarily concern activities he shared with his parents, especially Inge. He does devote several pages to a strange and tiresome obsession over what he believes was an inadequate third grade education. And some readers are likely to find his occasional political snark off-putting. He refers to payroll taxes as supporting “restrictive government programs…designed to mollify ‘the little people.’ ” The generally engaging prose is augmented with a substantial supply of black-and-white and color family photographs.

A historically intriguing and tender retrospective.

Pub Date: April 15, 2019

ISBN: 978-1-949735-76-5

Page Count: 210

Publisher: Ideopage Press Solutions

Review Posted Online: March 24, 2020

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NUTCRACKER

This is not the Nutcracker sweet, as passed on by Tchaikovsky and Marius Petipa. No, this is the original Hoffmann tale of 1816, in which the froth of Christmas revelry occasionally parts to let the dark underside of childhood fantasies and fears peek through. The boundaries between dream and reality fade, just as Godfather Drosselmeier, the Nutcracker's creator, is seen as alternately sinister and jolly. And Italian artist Roberto Innocenti gives an errily realistic air to Marie's dreams, in richly detailed illustrations touched by a mysterious light. A beautiful version of this classic tale, which will captivate adults and children alike. (Nutcracker; $35.00; Oct. 28, 1996; 136 pp.; 0-15-100227-4)

Pub Date: Oct. 28, 1996

ISBN: 0-15-100227-4

Page Count: 136

Publisher: Harcourt

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Aug. 15, 1996

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TO THE ONE I LOVE THE BEST

EPISODES FROM THE LIFE OF LADY MENDL (ELSIE DE WOLFE)

An extravaganza in Bemelmans' inimitable vein, but written almost dead pan, with sly, amusing, sometimes biting undertones, breaking through. For Bemelmans was "the man who came to cocktails". And his hostess was Lady Mendl (Elsie de Wolfe), arbiter of American decorating taste over a generation. Lady Mendl was an incredible person,- self-made in proper American tradition on the one hand, for she had been haunted by the poverty of her childhood, and the years of struggle up from its ugliness,- until she became synonymous with the exotic, exquisite, worshipper at beauty's whrine. Bemelmans draws a portrait in extremes, through apt descriptions, through hilarious anecdote, through surprisingly sympathetic and understanding bits of appreciation. The scene shifts from Hollywood to the home she loved the best in Versailles. One meets in passing a vast roster of famous figures of the international and artistic set. And always one feels Bemelmans, slightly offstage, observing, recording, commenting, illustrated.

Pub Date: Feb. 23, 1955

ISBN: 0670717797

Page Count: -

Publisher: Viking

Review Posted Online: Oct. 25, 2011

Kirkus Reviews Issue: Feb. 1, 1955

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