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I WAS HITLER'S BAKER

A dramatically and philosophically enthralling tale.

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In Peterson’s (The Girl From Copenhagen, 2018) historical novel, a childhood acquaintance of Adolf Hitler later becomes a baker with a lucrative but ultimately dangerous business strategy. 

When Josef Putkamer first meets Hitler as a child in 1900, they’re classmates in Leonding, Austria, and the latter already bears the marks of a future tyrant. He intimidates Putkamer into parting with his lunch money daily, and, eventually, Putkamer placates him with pastries purloined from his baker father’s shop. Hitler is “incredibly selfish” and “generally fearless,” Putkamer notes in the first-person narration, as well as a cruel prankster who’s incapable of empathy. He’s also a staunch admirer of former German Chancellor Otto von Bismarck and already believes that he has a great destiny. The two boys eventually part ways, and Putkamer, years later, takes over his father’s bakery and opens another in Munich. There, he’s reunited with Hitler, who’s become an angry political agitator, trying to make a name for himself. Putkamer, at the request of his new pastry chef and wife, Freya Krause, caters to the growing Nazi market as a business strategy—the customers “were suckers for anything with a swastika on it,” he notes. By 1935, his business is so successful that he opens a third store in Berlin, becoming the distinguished owner of multiple “Nazi-themed bakeries.” Peterson imaginatively conjures the evolution of Hitler’s maniacal psyche, showing the lust for power that’s evident from his earliest years. But the protagonist, Putkamer, is the book’s most intriguing aspect—a man who proclaims himself apolitical yet pins his business’s hopes on the ascendancy of a murderous political party. The character also marries an unrepentant admirer of all things Nazi; after one lovemaking session, she’s thrilled that they “made love on the same bed upon which Ernst Röhm and his young men pleasured themselves.” The narrator’s indifference to the tumultuous politics of the times—artfully depicted by Peterson— rises to the level of dark absurdity. The author successfully explores what German American philosopher Hannah Arendt famously called the “banality of evil”—effectively showing how bureaucrats and businessmen can contribute, without ideological fervor, to political oppression. 

A dramatically and philosophically enthralling tale.

Pub Date: June 20, 2019

ISBN: 978-1-949735-97-0

Page Count: 242

Publisher: Ideopage Press Solutions

Review Posted Online: Jan. 20, 2020

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SUMMER ISLAND

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with...

Talk-show queen takes tumble as millions jeer.

Nora Bridges is a wildly popular radio spokesperson for family-first virtues, but her loyal listeners don't know that she walked out on her husband and teenaged daughters years ago and didn't look back. Now that a former lover has sold racy pix of naked Nora and horny himself to a national tabloid, her estranged daughter Ruby, an unsuccessful stand-up comic in Los Angeles, has been approached to pen a tell-all. Greedy for the fat fee she's been promised, Ruby agrees and heads for the San Juan Islands, eager to get reacquainted with the mom she plans to betray. Once in the family homestead, nasty Ruby alternately sulks and glares at her mother, who is temporarily wheelchair-bound as a result of a post-scandal car crash. Uncaring, Ruby begins writing her side of the story when she's not strolling on the beach with former sweetheart Dean Sloan, the son of wealthy socialites who basically ignored him and his gay brother Eric. Eric, now dying of cancer and also in a wheelchair, has returned to the island. This dismal threesome catch up on old times, recalling their childhood idylls on the island. After Ruby's perfect big sister Caroline shows up, there's another round of heartfelt talk. Nora gradually reveals the truth about her unloving husband and her late father's alcoholism, which led her to seek the approval of others at the cost of her own peace of mind. And so on. Ruby is aghast to discover that she doesn't know everything after all, but Dean offers her subdued comfort. Happy endings await almost everyone—except for readers of this nobly preachy snifflefest.

The best-selling author of tearjerkers like Angel Falls (2000) serves up yet another mountain of mush, topped off with syrupy platitudes about life and love.

Pub Date: March 1, 2001

ISBN: 0-609-60737-5

Page Count: 336

Publisher: Crown

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 2001

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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