An intricately woven story of tragedy and hope.
Shapiro presents a set of parallel stories, set in Germany in different eras.
In 1941, Josef Zohren is recruited at age 15 from his elite Gymnasium school and shipped off to training the next day to join the Einsatzgruppen, a special task force under the Schutzstaffel whose focus is on dealing with what antisemitic Germans call the “Jew problem.” He struggles to deal with the expectations of his role as a Nazi, and, and when he’s paired with Hans Bringmann, a loyalist to the cause, he begins to question where his own allegiance lies. In another storyline set in 1938, Max and Gerda Biermann, the Jewish owners of a toy store in Munich, are facing struggles of their own after the Nazi regime issues a decree that results in the loss of their business. After relying on Gerda’s incredible talent at making fine knit and crocheted animals and Max’s work as a day laborer to survive, they’re eventually forced into hiding by German soldiers, which upends their lives. Postwar Germany in 1957 finds 16-year-old Friedrich Becker grieving the recent loss of his adoptive mother, Minna. Spurred by her death to investigate the identity of his biological parents, Friedrich meets Sigrid, an orphan who works at an orphanage and joins him in his search. He remembers nothing of the time before his own adoption, but he has a crocheted bear named Bärli, which he had with him at age 4. Over the course of this layered narrative, Shapiro demonstrates an exceptional talent for storytelling as he highlights war’s capacity to separate people, but also to draw them together in common cause. Indeed, the story effectively shows how conflict can bind people together across generations and, as it happens, across time itself. As the various timelines intertwine, the author’s fine attention to detail results in a satisfying reading experience. Overall, the work ably reminds readers that although “there is no hope of creating a better past,” the future is still full of possibility.
An intricately woven story of tragedy and hope.Pub Date: June 17, 2025
ISBN: 9798998501517
Page Count: 324
Publisher: Brandylion Press
Review Posted Online: May 13, 2025
Review Program: Kirkus Indie
BOOK REVIEW
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
Mostly charming, sometimes twee, with some really lovely things to say about poetry.
And now for some lessons in poetry and typesetting.
After Lessons in Chemistry (2022), a debut that became one of the most popular books of recent years, Garmus applies her unique comic sensibility to the story of Batter Gray, a man named after a family dog of mythic talents. A poetry maven who was reading Auden as a fourth grader, he was raised by a type-designer mother and historian father who dearly hoped he would choose some more viable profession than poetry. But via an amazing stroke of luck, he lands a job after college at Peck & Peck, an illustrious literary journal located in a beautiful building in New York City. He’s at the very bottom of the complex and dysfunctional totem pole, making copies in the basement, struggling not to run afoul of the cantankerous editor-in-chief, Salton Peck, or his smarmy assistant, Dexter York, both of whom have taken an instant dislike to our hero (and can never get his name right. Few people can). And to be honest, Batter is not without his flaws. The novel bogs down a bit in the middle, with Salton constantly excoriating his staff in ALL CAPS and much ado over the possibility that submissions have been taken outside the building, which is forbidden. Along the way, many, many famous poets are name-checked, as are many typefaces, since Batter has been raised to instantly identify a font in the wild. The best example of this occurs during his brief sojourn in jail: “The thing I kind of admired about Motherfucker II, besides his manners, was this huge tattoo he had on his neck that read I will fuck you up in ITC Bolt. Call me my mother’s son, but whoever inked it nailed the kerning.” The narrative picks up steam toward the end, as bad guys become good guys, mysteries are solved, and Batter throws one hell of a party.
Mostly charming, sometimes twee, with some really lovely things to say about poetry.Pub Date: Oct. 13, 2026
ISBN: 9781668251065
Page Count: 432
Publisher: Scribner
Review Posted Online: July 6, 2026
Kirkus Reviews Issue: Aug. 1, 2026
BOOK REVIEW
PERSPECTIVES
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