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SONG OF NIGHT

From a Caribbean-born writer (Fire in the Canes, 1997), a maudlin tale of a passionate woman whose strong emotions eventually lead to tragedy. The story of Cyan, or —Night,— the young black woman who loves to walk along the beach in starlight, is set in Barbados, a place where tourists are the new imperialists. Their hotels defile the ocean with sewage, their needs push the local men into menial jobs, and they use the women as prostitutes. They create an angry resentment among the locals, but few of them react as violently as the heavily pregnant Cyan. As the story begins, she has arranged to meet Amanda, an African-American tourist, who wants to buy her handiwork. Later, Cyan’s neighbors see her being taken from her home by police. (Cyan’s father, Steel, was hanged when she was 18 for murdering a man who—d been flirting with his wife.) The story of Cyan’s journey to her arrest is told in luminous prose that evokes the island but is less successful in creating credible characters. Cyan’s mother, Obe, is a study in contradictions: she fled an abusive man before marrying Steel; she burned Cyan’s hand as punishment when a neighbor accused the girl of lying; and when Steel was buried, she took up with other men. Cyan, angry and hurt, both loves and hates her mother. After they quarrel, Obe moves out and, along the way, works for a local doctor and his African- American wife; falls in love with Breeze, a local hustler; and then, deserted by him, begs tourists for money. A brief reunion with Breeze leads to pregnancy and a decision to give her baby to a visiting African-American. When a distraught Cyan changes her mind, though, it’s too late—the child is gone. Cyan has no choice but to complete the cycle of destruction that began before she was born. Despite some fine passages, generally overwritten and overwrought.

Pub Date: Aug. 6, 1998

ISBN: 1-56947-122-3

Page Count: 256

Publisher: Soho

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: July 1, 1998

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BELOVED

Morrison traces the shifting shapes of suffering and mythic accommodations, through the shell of psychosis to the core of a...

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Morrison's truly majestic fifth novel—strong and intricate in craft; devastating in impact.

Set in post-Civil War Ohio, this is the story of how former slaves, psychically crippled by years of outrage to their bodies and their humanity, attempt to "beat back the past," while the ghosts and wounds of that past ravage the present. The Ohio house where Sethe and her second daughter, 10-year-old Denver, live in 1873 is "spiteful. Full of a [dead] baby's venom." Sethe's mother-in-law, a good woman who preached freedom to slave minds, has died grieving. It was she who nursed Sethe, the runaway—near death with a newborn—and gave her a brief spell of contentment when Sethe was reunited with her two boys and first baby daughter. But the boys have by now run off, scared, and the murdered first daughter "has palsied the house" with rage. Then to the possessed house comes Paul D., one of the "Pauls" who, along with Sethe, had been a slave on the "Sweet Home" plantation under two owners—one "enlightened," one vicious. (But was there much difference between them?) Sethe will honor Paul D.'s humiliated manhood; Paul D. will banish Sethe's ghost, and hear her stories from the past. But the one story she does not tell him will later drive him away—as it drove away her boys, and as it drove away the neighbors. Before he leaves, Paul D. will be baffled and anxious about Sethe's devotion to the strange, scattered and beautiful lost girl, "Beloved." Then, isolated and alone together for years, the three women will cling to one another as mother, daughter, and sister—found at last and redeemed. Finally, the ex-slave community, rebuilding on ashes, will intervene, and Beloved's tortured vision of a mother's love—refracted through a short nightmare life—will end with her death.

Morrison traces the shifting shapes of suffering and mythic accommodations, through the shell of psychosis to the core of a victim's dark violence, with a lyrical insistence and a clear sense of the time when a beleaguered peoples' "only grace...was the grace they could imagine."

Pub Date: Sept. 16, 1987

ISBN: 9781400033416

Page Count: 352

Publisher: Knopf

Review Posted Online: Sept. 29, 2011

Kirkus Reviews Issue: Aug. 15, 1987

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THE KITE RUNNER

Rather than settle for a coming-of-age or travails-of-immigrants story, Hosseini has folded them both into this searing...

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Here’s a real find: a striking debut from an Afghan now living in the US. His passionate story of betrayal and redemption is framed by Afghanistan’s tragic recent past.

Moving back and forth between Afghanistan and California, and spanning almost 40 years, the story begins in Afghanistan in the tranquil 1960s. Our protagonist Amir is a child in Kabul. The most important people in his life are Baba and Hassan. Father Baba is a wealthy Pashtun merchant, a larger-than-life figure, fretting over his bookish weakling of a son (the mother died giving birth); Hassan is his sweet-natured playmate, son of their servant Ali and a Hazara. Pashtuns have always dominated and ridiculed Hazaras, so Amir can’t help teasing Hassan, even though the Hazara staunchly defends him against neighborhood bullies like the “sociopath” Assef. The day, in 1975, when 12-year-old Amir wins the annual kite-fighting tournament is the best and worst of his young life. He bonds with Baba at last but deserts Hassan when the latter is raped by Assef. And it gets worse. With the still-loyal Hassan a constant reminder of his guilt, Amir makes life impossible for him and Ali, ultimately forcing them to leave town. Fast forward to the Russian occupation, flight to America, life in the Afghan exile community in the Bay Area. Amir becomes a writer and marries a beautiful Afghan; Baba dies of cancer. Then, in 2001, the past comes roaring back. Rahim, Baba’s old business partner who knows all about Amir’s transgressions, calls from Pakistan. Hassan has been executed by the Taliban; his son, Sohrab, must be rescued. Will Amir wipe the slate clean? So he returns to the hell of Taliban-ruled Afghanistan and reclaims Sohrab from a Taliban leader (none other than Assef) after a terrifying showdown. Amir brings the traumatized child back to California and a bittersweet ending.

Rather than settle for a coming-of-age or travails-of-immigrants story, Hosseini has folded them both into this searing spectacle of hard-won personal salvation. All this, and a rich slice of Afghan culture too: irresistible.

Pub Date: June 2, 2003

ISBN: 1-57322-245-3

Page Count: 368

Publisher: Riverhead

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 2003

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