A book that asks to be studied rather than read.
A queer Chicana comes of age and into her power in Texas.
The legacy of feminist author Anzaldúa (1942-2004) looms large. Her groundbreaking book Borderlands/La Frontera (1987) remains a touchstone for generations of scholars and activists. An editorial note explains that Anzaldúa had been developing her "Prieta stories" alongside nonfiction for her whole career. While a few came out during her lifetime, this book represents their first complete publication. Like her other work, it resists genre and other literary conventions. Anzaldúa mixes English and Spanish throughout (translations are provided at the end of each story) to tell the tale of a young girl’s awakening into a queer identity. Some stories are sexually explicit while others veer into the supernatural. In each, Prieta confronts family and community members who both love her and expect her to conform to traditional notions of gender and sexuality. But Prieta cannot betray herself so easily. Over time and facing many obstacles, including homophobic lovers and crooked bosses, she cultivates a sense of embodied power. Others may go along to get along, but she’s one with both the land she lives on and with the celestial—so much that she finds it nearly impossible to be anything but her authentic self. The stories document Prieta’s sensory experience in granular detail to the exclusion of character development and traditional elements of plot, though they do follow Prieta’s arc from childhood to adulthood. Over decades, Anzaldúa labored to offer this painstaking, relentless exploration of the queer experience in all its richness as part of quotidian life. Prieta's story is a foundational piece of the dam against erasure and marginalization Anzaldúa spent her life building.
A book that asks to be studied rather than read.Pub Date: Nov. 1, 2025
ISBN: 9798855804553
Page Count: 272
Publisher: State Univ. of New York Press
Review Posted Online: Aug. 22, 2025
Kirkus Reviews Issue: Sept. 15, 2025
Fans of Stockett’s bestselling debut will love this engaging follow-up.
Stockett heads to Mississippi for another historical novel about feisty women.
This time, perhaps recalling criticisms of cultural appropriation in The Help (2009), she sticks to feisty white women, with one exception. The setting is Oxford in 1933. For two miserable years, 11-year-old Meg has lived in “the Orphan,” a county asylum for parentless girls. Chairlady Garnett—a villain so one-note she’d twirl a mustache if she had one—makes it her mission to ostracize the older girls she deems unadoptable, stigmatizing them as offspring of the “feebleminded” mothers who abandoned them. She particularly has it in for smart, sassy Meg, who refuses to believe her mother’s mysterious disappearance was deliberate. Elsewhere in Oxford, Birdie Calhoun comes to visit her sister Frances, who married a wealthy banker, to ask for money on behalf of their mother and grandmother back in Footely. Frances isn’t thrilled by this reminder of her impoverished small-town origins. But she’s trying to climb up in Oxford society by volunteering at the Orphan, the asylum’s books need to be done before the state inspector shows up in a few weeks, and Birdie is a bookkeeper. Having neatly arranged to keep Birdie in town and draw these two storylines together, Stockett goes on to spin a compulsively readable yarn with enough plot for a half-dozen novels. Birdie and Meg become friends, Meg is adopted despite Garnett’s best efforts, Meg’s mother turns up at the Orphan demanding to know where her child is—and that’s less than a quarter of the way through a long, winding narrative that keeps piling on more dramatic developments until all loose ends are neatly, if hastily, wrapped up in the final pages. Stockett might be making a point about Southern women facing facts and standing up for themselves, but mostly this is just a satisfyingly twisty tale that should make a great miniseries.
Fans of Stockett’s bestselling debut will love this engaging follow-up.Pub Date: May 5, 2026
ISBN: 9781954118812
Page Count: 656
Publisher: Spiegel & Grau
Review Posted Online: Feb. 2, 2026
Kirkus Reviews Issue: March 1, 2026
BOOK REVIEW
An affecting portrait of a prickly woman.
A lifetime’s worth of letters combine to portray a singular character.
Sybil Van Antwerp, a cantankerous but exceedingly well-mannered septuagenarian, is the titular correspondent in Evans’ debut novel. Sybil has retired from a beloved job as chief clerk to a judge with whom she had previously been in private legal practice. She is the divorced mother of two living adult children and one who died when he was 8. She is a reader of novels, a gardener, and a keen observer of human nature. But the most distinguishing thing about Sybil is her lifelong practice of letter writing. As advancing vision problems threaten Sybil’s carefully constructed way of life—in which letters take the place of personal contact and engagement—she must reckon with unaddressed issues from her past that threaten the house of cards (letters, really) she has built around herself. Sybil’s relationships are gradually revealed in the series of letters sent to and received from, among others, her brother, sister-in-law, children, former work associates, and, intriguingly, literary icons including Joan Didion and Larry McMurtry. Perhaps most affecting is the series of missives Sybil writes but never mails to a shadowy figure from her past. Thoughtful musings on the value and immortal quality of letters and the written word populate one of Sybil’s notes to a young correspondent while other messages are laugh-out-loud funny, tinged with her characteristic blunt tartness. Evans has created a brusque and quirky yet endearing main character with no shortage of opinions and advice for others but who fails to excavate the knotty difficulties of her own life. As Sybil grows into a delayed self-awareness, her letters serve as a chronicle of fitful growth.
An affecting portrait of a prickly woman.Pub Date: May 6, 2025
ISBN: 9780593798430
Page Count: 304
Publisher: Crown
Review Posted Online: Feb. 15, 2025
Kirkus Reviews Issue: March 15, 2025
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