LITTLEJIM'S DREAMS

Littlejim Houston is nearly 14 and loves his life in rural Appalachia in 1920, but he dreams of being more than a farmer and logger. He'd like to go the academy and then to college; he wants to become a teacher or maybe even an aviator. Money is tight, for the bottom has fallen out of the lumber market, and there's work to be done if they are to keep their farm. When Mama falls seriously ill, Papa needs money to take her to the Statesville hospital, and sells the mineral rights to his property to a couple of unsavory mineral speculators. The farm is left to Littlejim while his parents are gone. With Myron, a law student from Philadelphia who is staying with the Houstons for the summer, Littlejim soon discovers the magnitude of his father's blunder; the miners clear the family's only virgin stand of timber, claiming the right to ``prepare'' the land. This terrible loss results in Papa's seeking—and obtaining- -justice from outside the community; he also begins to understand the value of Littlejim's fine mind and openly pledges his support for his boy's education. It's a heartwarming story of family ties and friendship, set in an earlier era and another culture. Fans of the previous books (Littlejim's Gift, 1994, etc.) will not be disappointed. (b&w illustrations, further reading) (Fiction. 8-12)

Pub Date: April 1, 1997

ISBN: 0-15-201509-4

Page Count: 240

Publisher: Harcourt

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: April 1, 1997

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The poem/novel ends with only a trace of hope; there are no pat endings, but a glimpse of beauty wrought from brutal reality.

OUT OF THE DUST

Billie Jo tells of her life in Oklahoma during the Dust Bowl: Her mother dies after a gruesome accident caused by her father's leaving a bucket of kerosene near the stove; Billie Jo is partially responsible—fully responsible in the eyes of the community—and sustains injuries that seem to bring to a halt her dreams of playing the piano.

Finding a way through her grief is not made easier by her taciturn father, who went on a drinking binge while Billie Joe's mother, not yet dead, begged for water. Told in free-verse poetry of dated entries that span the winter of 1934 to the winter of 1935, this is an unremittingly bleak portrait of one corner of Depression-era life. In Billie Jo, the only character who comes to life, Hesse (The Music of Dolphins, 1996, etc.) presents a hale and determined heroine who confronts unrelenting misery and begins to transcend it.

The poem/novel ends with only a trace of hope; there are no pat endings, but a glimpse of beauty wrought from brutal reality. (Fiction. 9-12)

Pub Date: Oct. 1, 1997

ISBN: 978-0-590-36080-7

Page Count: 240

Publisher: Scholastic

Review Posted Online: May 20, 2010

Kirkus Reviews Issue: Sept. 15, 1997

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The tweaks deliver no real alterations, but the clothing and hairstyles may amuse.

DAVID ROBERTS' DELIGHTFULLY DIFFERENT FAIRY TALES

Three classic fairy tales given 20th- (and 30th-) century settings.

Originally published separately between 2001 and 2016, the stories are massaged in ways that tone down the violence of pre-Disney versions and show off the illustrator’s chops as a caricaturist. In “Cinderella” (2001), the scenes are filled with flamboyant art deco fashions and details; the fairy godmother creates a snazzy limo to take young Greta to the ball; and rosebud-lipped, pointy-nosed evil stepsisters Ermintrude and Elvira survive unmutilated. Similarly, in “Rapunzel” (2003), the title character escapes her mid-1970s flat to run off with (unblinded) pop musician Roger, and in “Sleeping Beauty” (2016), when 16-year-old science-fiction fan Annabel pricks her finger on the needle of a record player, she falls asleep for 1,000 years. The three female leads project airs of independence but really have no more agency here than in the originals. The all-White casts and conventional relationships of the first two stories do loosen a bit in “Sleeping Beauty,” as Annabel, who seems White, is watched over by an interracial pair of motherly aunts and awakened at long last (albeit with a touch, not a kiss) by Zoe, who has light-brown skin and long, black hair. Notes following each tale draw attention to the period details, and even the futuristic city at the end has a retro look. (This book was reviewed digitally with 10.5-by-21-inch double-page spreads viewed at 70 % of actual size.)

The tweaks deliver no real alterations, but the clothing and hairstyles may amuse. (Fairy tales. 8-10)

Pub Date: Oct. 6, 2020

ISBN: 978-1-84365-475-9

Page Count: 90

Publisher: Pavilion Children's

Review Posted Online: July 28, 2020

Kirkus Reviews Issue: Aug. 15, 2020

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