It's Christmastime. In an Appalachian hollow, Littlejim's (Littlejim, 1990, etc.) family works hard to get by. That doesn't mean that 11-year-old Littlejim hasn't hopes and longings—he'd like to go to the church Christmas tree celebration, he'd like to be considered a man by his father, he'd like to use his father's tools—but his old man is a hard-hearted brute who squashes Littlejim's dreams (``No time for funning and frolicking. No time for celebrating''). By dint of hard work, Littlejim manages to turn things around: The family gets to attend the tree celebration, his father grudgingly begins to respect Littlejim's young manhood, Littlejim even finds a way to give his sister a longed-for doll. Sweetness and melancholy vie for space without a clear victor; sadness seems to edge every act and circumstance. Adding a brooding quality are Allen's somber pastels. Not a book to brace and inspire: The message is all but lost in the story's depressing tone. Life is tough, and even good deeds demand a sacrifice. (Fiction/Picture book. 6-10)
Pub Date: Oct. 6, 1994
ISBN: 0-399-22696-6
Page Count: 32
Publisher: Philomel
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Oct. 15, 1994
The leaves have changed, Thanksgiving nears—and the canny turkeys of Squawk Valley have decamped, leaving local residents to face the prospect of a birdless holiday. What to do? They decide to lure a bird back by appealing to its vanity, placing a want ad for a model to help sculptors creating turkey art, then “inviting” the bird to dinner. The ploy works, too, for out of the woods struts plump and perky Pete to take on the job. Shelly debuts with brightly hued cartoon scenes featuring pop-eyed country folk and deceptively silly-looking gobblers. Pete may be vain, but he hasn’t lost the wiliness of his wild ancestors; when the townsfolk come for him, he hides amidst a flock of sculpted gobblers—“There were turkeys made of spuds, / there were turkeys made of rope. / There were turkeys made of paper, / there were turkeys made of soap. / The room was full of turkeys / in a wall to wall collage. / For a clever bird like Pete / it was perfect camouflage.” He makes his escape, and is last seen lounging on a turkey-filled tropical beach as the disappointed Squawk Valleyites gather round the table for a main course of . . . shredded wheat. Good for a few giggles. (Picture book. 6-8)
Pub Date: Sept. 1, 2001
ISBN: 1-890817-91-0
Page Count: 40
Publisher: N/A
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Aug. 15, 2001
In a snowbound Swiss village, Matti figures it’s a good day to make a gingerbread man. He and his mother mix a batch of gingerbread and tuck it in the oven, but Matti is too impatient to wait ten minutes without peeking. When he opens the door, out pops a gingerbread baby, taunting the familiar refrain, “Catch me if you can.” The brash imp races all over the village, teasing animals and tweaking the noses of the citizenry, until there is a fair crowd on his heels intent on giving him a drubbing. Always he remains just out of reach as he races over the winterscape, beautifully rendered with elegant countryside and architectural details by Brett. All the while, Matti is busy back home, building a gingerbread house to entice the nervy cookie to safe harbor. It works, too, and Matti is able to spirit the gingerbread baby away from the mob. The mischief-maker may be a brat, but the gingerbread cookie is also the agent of good cheer, and Brett allows that spirit to run free on these pages. (Picture book. 4-8)
Pub Date: Oct. 1, 1999
ISBN: 0-399-23444-6
Page Count: 32
Publisher: Putnam
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
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