This bittersweet tale takes readers into a dark, ancient woods in the American Northwest. A father and son make this forest their special place to commune with the wild, to visit with the creatures that live therein, and to revel in the mesmerizing views. One day they find spots painted on the trees, markings for loggers. The boy and his father and family ignite a small grassroots resistance to the felling of the trees. They fight for something they believe in—it is almost a sacred obligation for them—but they are unsuccessful: the laws governing private property prevail. The trees are cut and, luckily, the father and son find another stand in which to take solace. The Rands (A Home for Spooky, 1998, etc.) offer a bright fusion of the cautionary and the inspirational, and the artwork is effective in conveying the outsized majesty of the old growth. (Picture book. 6-9)
Pub Date: March 1, 1999
ISBN: 0-8050-5466-9
Page Count: 32
Publisher: Henry Holt
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Jan. 15, 1999
In The Palm Of Darkness ($21.00; May 1997; 192 pp.; 0-06-018703- 4): A Cuban writers's intensely imaginative portrait of the extremities of Haitian culture rings some fresh changes on the overfamiliar theme of intellectual arrogance humbled by its collision with ``elemental'' peasant wisdom. Montero subtly builds up a revealing contrast between Victor Griggs, a European herpetologist searching for the remaining specimens of an endangered species of amphibian, and his native guide Thierry Adrien's memories of his family's encounter with the island's ubiquitous spirits. This truly original novel is studded with surprises—not least of which is the concept of a species suddenly and entirely disappearing in a milieu where the living and the dead are known to mingle together more or less matter-of-factly. A refreshingly sophisticated treat. (Author tour)
Pub Date: May 1, 1997
ISBN: 0-06-018703-4
Page Count: 192
Publisher: HarperCollins
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: April 15, 1997
PLB 0-7868-2125-6 As is true for Pam Conrad’s Tub People, the events in a matryoshka doll’s life depend on external manipulations and circumstances; in this case, it makes the story of a perilous journey fall somewhat flat. A set of the nesting dolls is carved in a Russian village and then sent to a toy shop in America. The outer doll, Anna, has been instructed by the maker to watch over her siblings—“Keep your sisters safe inside you”—but there is nothing she can do when the smallest doll, Nina, is accidentally brushed off the counter and unceremoniously kicked out the door. It is an odyssey in which she has absolutely no active part, nor does she have reactions, for all she possesses is a blank matryoshka face. In the meantime, a young girl who has bought the rest of the set on sale charmingly tucks a little wad of cotton into the next-to-smallest doll so she won’t feel empty. Brown’s atmospheric but docile watercolors often view the matryoshka dolls from a distance, furthering the sense that the story is about events surrounding the dolls, instead of the dolls themselves. An author’s note on the history of matryoshkas is a welcome touch. (Picture book. 4-8)
Pub Date: Sept. 1, 1999
ISBN: 0-7868-0153-0
Page Count: 32
Publisher: Hyperion
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Nov. 1, 1999
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