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DEATH OF A COZY WRITER

Malliet’s debut combines devices from Christie and Clue to keep you guessing until the dramatic denouement.

Detective Chief Inspector St. Just finds himself with a pretty puzzle when a father and son are murdered in a snow-shrouded Cambridgeshire manor house.

The family of wealthy mystery writer Adrian Beauclerk-Fisk have arrived in response to a shocking wedding invitation. Long divorced from his first wife, he delights in keeping his unloved heirs on edge by constantly changing his will. Upon their arrival, they learn that he has already married beautiful, aristocratic Violet Winthrop, who Ruthven, his oldest son, announces was accused of murdering her first husband. Although Ruthven has usually been his favorite, Sir Adrian does not seem unduly upset when he is found brutally murdered in the wine cellar. As for his remaining children: self-absorbed George arrives with a girlfriend as stunning as she is pregnant; Albert is an actor with a drinking problem; and Sarah seems to take pains to remain unattractive while she writes successful cookbooks. In addition, the household includes a private secretary, a cook, her son the houseboy and an ancient gardener. When Sir Adrian is at last fatally stabbed in his study, St. Just looks among the houseguests and staff for the guilty party. As so often turns out in English country-house mysteries, the answer lies buried in the past.

Malliet’s debut combines devices from Christie and Clue to keep you guessing until the dramatic denouement.

Pub Date: July 1, 2008

ISBN: 978-0-7387-1248-2

Page Count: 312

Publisher: Midnight Ink/Llewellyn

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: April 1, 2008

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RAZOR GIRL

Relax, enjoy, and marvel anew at the power of unbridled fictional invention.

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  • Kirkus Reviews'
    Best Books Of 2016


  • New York Times Bestseller

Rejoice, fans of American madness who’ve sought fulfillment in political reportage. South Florida’s master farceur (Skink—No Surrender, 2014, etc.) is back to reassure you that fiction is indeed stranger than truth.

Even though a prefatory note indicates that both the come-hither title and the stuff about giant Gambian pouched rats are rooted in reality, no one but Hiaasen could have dreamed up the complications arising from the collision of Merry Mansfield with talent agent Lane Coolman—a literal collision, since she rams his rented car while shaving her bikini area in the driver's seat of a Firebird. Make that multiple collisions, since Lane turns out to be only the latest victim of Merry and her partner Zeto’s kidnap-for-hire schemes. In this case, he’s the wrong victim, mistaken for beach-replenishment contractor Martin Trebeaux, whose swindling has put him on the wrong side of Calzone crime family capo Dominick "Big Noogie" Aeola. Since Coolman’s being held captive, he can’t be on hand to walk his client Buck Nance, the reality star of Bayou Brethren, though a personal appearance at the Parched Pirate, and Buck goes off script into a racist rant that sparks a demonstration and sends him fleeing, though he's still capable of inspiring Benny Krill, a murderous apprentice racist who dreams of joining him on his show. After laboring in vain to persuade Jon David Ampergrodt, his boss at Platinum Artists Management, as well as Merry and Zeto that he’s worth ransoming, Coolman escapes, but it doesn’t matter: he’s still confined in the zoo that’s Key West, where liability lawyer Brock Richardson’s fiancee loses the $200,000 ring he didn’t bother to resize after his fatter former fiancee returned it, and when his neighbor, health inspector Andrew Yancy, discovers it, he hides it in the hummus in the hope that an indefinite search for the bauble will stall Richardson’s plan to build a McMansion that will obstruct Yancy’s sea view. Etc. How can Hiaasen possibly tie together all this monkey business in the end? His delirious plotting is so fine-tuned that preposterous complications that would strain lesser novelists fit right into his antic world.

Relax, enjoy, and marvel anew at the power of unbridled fictional invention.

Pub Date: Sept. 6, 2016

ISBN: 978-0-385-34974-1

Page Count: 352

Publisher: Knopf

Review Posted Online: June 21, 2016

Kirkus Reviews Issue: July 1, 2016

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ROBERT B. PARKER'S ANGEL EYES

Readers who’ve always wanted to see Spenser in Tinseltown can cross that off their bucket lists.

Spenser goes to Hollywood.

In the two years since she’s moved from Cambridge to Los Angeles in pursuit of stardom, Gabrielle Leggett has been a dog walker, a personal assistant, a model, an actress, a media influencer, and now, for the past two weeks, a missing person. The LAPD knows about Gabby’s disappearance, but her mother, dissatisfied with their efforts, sends Spenser (Robert B. Parker’s Old Black Magic, 2018, etc.) out to the Left Coast to do the job right. Predictably, Gabby’s agent and former romantic partner, Eric Collinson, doesn’t want to talk to him. Neither does Jeffrey Bloom, the acting coach who thought Gabby had just dropped out of his class, or Jimmy Yamashiro, the married studio CEO who took Collinson’s place. And the only thing publicist Nancy Sharp, Gabby’s ex-boss, wants to talk about is how much fun she and Spenser could have if he’d only lighten up. Eventually Spenser works his contacts to get an audience with Yamashiro, but the results are less than impressive. He must be making an impression, though, because five Armenian thugs ambush him and shoot his West Coast associate, Zebulun Sixkill, in the arm, disabling him and requiring Spenser to look for another sidekick. Eventually he gets a lead that connects Gabby to Joseph Haldorn, aka Phaethon, the founder of HELIOS, a hush-hush organization that promises self-actualization and conducts itself suspiciously like a cult. But instead of thickening, the mystery surrounding Gabby just gets more violent and diffuse. Surprisingly, Atkins gets the hardest parts right—his hero/narrator now sounds indistinguishable from Robert B. Parker’s—but bogs down in the plotting, the area in which he presumably had the freest hand. As for the cod-out-of-water milieu, it evokes not so much particular SoCal locations as dozens of earlier SoCal whodunits.

Readers who’ve always wanted to see Spenser in Tinseltown can cross that off their bucket lists.

Pub Date: Nov. 19, 2019

ISBN: 978-0-525-53682-6

Page Count: 320

Publisher: Putnam

Review Posted Online: Sept. 14, 2019

Kirkus Reviews Issue: Oct. 1, 2019

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