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THE LAST SELECTION

A CHILD'S JOURNEY THROUGH THE HOLOCAUST

Kalib was born in 1931, the beloved youngest child of a wealthy, large, and close-knit family in Bodzentyn, a town of 4000, including 1400 Jews, near Cracow, Poland. She is neither a poet nor a theologian. The form in which her husband and a colleague have helped her recast her reminiscences is straightforward, even plodding at times. But from the accretion of details emerges a picture with fresh power to shock and disturb. No novelist could invent the German policeman who shot Jews for sport, photographed them as corpses, and then buried them in a sort of private cemetery for his trophies. Even more upsetting than the account of barbarism is the story of Jewish attempts to survive and carry on in a human way: hiding textbooks under flowerpots because by October 1939 Jewish children were forbidden to study; sneaking past Auschwitz guards in 1944 to keep in touch with family members. The youth and vitality that helped the author survive illuminate the horrors she went through with primary colors. Her father's wealth and resourcefulness protected the family for a time. In 1942, as the Germans were rounding up the Jews in nearby villages, Kalib was sent into hiding with a Polish landowner and her communist nephew. She paints a moving portrait of this woman, compassionate and courageous but, like many Poles, so anti-Semitic- -with Church encouragement—that she saw what was happening to her Jewish neighbors as punishment for their murdering Christ. Later, Kalib joined the rest of her family in a labor camp. In 1944, they were shipped to Auschwitz. In 1945, the survivors went on a death march to Bergen-Belsen. Anne Frank had gone that same way. Kalib's child's-eye view of Auschwitz's maniacal orderliness and the world's-end chaos of Bergen-Belsen makes a useful complement to the famous diary. At a time when revisionists are running ads in college newspapers claiming the Holocaust is a hoax, this affecting memoir should go into every high-school and college library.

Pub Date: March 1, 1992

ISBN: 0-87023-758-6

Page Count: 328

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: Jan. 15, 1992

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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