by Gordon Bowker ‧ RELEASE DATE: Oct. 23, 1995
A well-honed and meticulously researched, drink-by-drink account of one of literature's greatest squandered talents. In British freelance journalist Bowker's inexorable account, Malcolm Lowry (190957) emerges as the archetypal poäte mauditmad, bad, and dangerous to know. He was a violent and habitual drunk, a liar, coward, procrastinator, and occasional genius whose richly innovative work has influenced everyone from Pynchon to Ginsburg. Ten tormented years in the making, Under the Volcano, his semi- autobiographical, alcohol-soaked masterpiece, set a standard of excellence that weighed oppressively on Lowry for the rest of his life. What followedsome poems, long short stories, and fragments of novelswas flashed with brilliance but invariably flawed. However, Bowker makes a strong case for the enduring literary value of Lowry's correspondence, some of which he believes ``rank[s] among the finest of the century.'' Much of the impetus behind Lowry's later writing was a great, unrealized Åber-plan, appropriately called The Voyage That Never Ends. Proustian in its ambitions, it would draw together all of Lowry's past and future work, including Volcano, into an epically vast meditation on sin and redemption. Bowker believes that this Brobdingnagian plan ultimately became an excuse for Lowry not to finish anything. Writers generally don't lead exciting lives; between reading, writing, and the usual unhappiness, there is not much time left over for event. Lowry, despite his share of misfortunes, was no exception. But Bowker masterfully works this potentially monotone material into a Lowryesque interior epic of moral struggle. His analysis of Lowry's work is also keen-eyed, illuminating innumerable autobiographical roots. If there are faults in this subtle portrait, they lie more with Lowry than with Bowker. Everything a literary biography should be. (8 pages b&w photos, not seen)
Pub Date: Oct. 23, 1995
ISBN: 0-312-12748-0
Page Count: 720
Publisher: St. Martin's
Review Posted Online: May 19, 2010
Kirkus Reviews Issue: Sept. 1, 1995
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by Elie Wiesel & translated by Marion Wiesel ‧ RELEASE DATE: Jan. 16, 2006
The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...
Elie Wiesel spent his early years in a small Transylvanian town as one of four children.
He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions.
Pub Date: Jan. 16, 2006
ISBN: 0374500010
Page Count: 120
Publisher: Hill & Wang
Review Posted Online: Oct. 7, 2011
Kirkus Reviews Issue: Jan. 15, 2006
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by Elie Wiesel ; edited by Alan Rosen
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by Elie Wiesel ; illustrated by Mark Podwal
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by Elie Wiesel ; translated by Marion Wiesel
by Paul Kalanithi ‧ RELEASE DATE: Jan. 19, 2016
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...
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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.
Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”
A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.Pub Date: Jan. 19, 2016
ISBN: 978-0-8129-8840-6
Page Count: 248
Publisher: Random House
Review Posted Online: Sept. 29, 2015
Kirkus Reviews Issue: Oct. 15, 2015
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