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FULL FATHOM FIVE

OCEAN WARMING AND A FATHER'S LEGACY

A call to action leavened by Chaplin's recollections of a long-gone way of life, when his parents were part of the Duke of...

When Chaplin (Research Associate/Academy of Natural Sciences; Dark Wind: A Survivor's Tale of Love and Loss, 1999, etc.) was invited to accompany an expedition to the Bahamas to see the coral reefs, he was overjoyed at the chance to relive boyhood memories.

In 2003, the author received a call from an associate curator at the Philadelphia Academy of Natural Sciences, where his father's papers were archived, and was offered a chance to return to the idyllic scenes of his childhood. He had grown up on an island in the Bahamas that subsequently became the location of Paradise Beach and a magnet for tourists. Chaplin’s father was the author of the “771-page definitive work” Fishes of the Bahamas, and Chaplin had accompanied his father on many of his collecting trips. His memories would be invaluable for a planned 50-year retrospective on the state of the reefs and the fish they housed, she informed him. “We aim to go back to the original sites to make our own collections,” the ANS representative told him,” and you are the only person alive who knows exactly where they are.” The author, an advocate of sea conservation, put aside his own writing to join the project. During that trip and subsequent follow-ups, it was established that despite the effects of “[g]lobal warming, disease, bleaching, pollution, rampant algae, hurricanes, overfishing and overdiving,” which have caused severe coral degeneration and a reduction in the number of fish that populated them, species biodiversity is still intact. Nonetheless, he warns, unless measures are taken to reverse the degradation of the reefs, the “world's most diverse ecosystem will have been destroyed.”

A call to action leavened by Chaplin's recollections of a long-gone way of life, when his parents were part of the Duke of Windsor's social set on the Bahamas and he was a young boy sharing in his father's adventures at sea.

Pub Date: Oct. 1, 2013

ISBN: 978-1-61145-895-4

Page Count: 280

Publisher: Arcade

Review Posted Online: Aug. 5, 2013

Kirkus Reviews Issue: Sept. 1, 2013

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NIGHT

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the...

Elie Wiesel spent his early years in a small Transylvanian town as one of four children. 

He was the only one of the family to survive what Francois Maurois, in his introduction, calls the "human holocaust" of the persecution of the Jews, which began with the restrictions, the singularization of the yellow star, the enclosure within the ghetto, and went on to the mass deportations to the ovens of Auschwitz and Buchenwald. There are unforgettable and horrifying scenes here in this spare and sombre memoir of this experience of the hanging of a child, of his first farewell with his father who leaves him an inheritance of a knife and a spoon, and of his last goodbye at Buchenwald his father's corpse is already cold let alone the long months of survival under unconscionable conditions. 

The author's youthfulness helps to assure the inevitable comparison with the Anne Frank diary although over and above the sphere of suffering shared, and in this case extended to the death march itself, there is no spiritual or emotional legacy here to offset any reader reluctance.

Pub Date: Jan. 16, 2006

ISBN: 0374500010

Page Count: 120

Publisher: Hill & Wang

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: Jan. 15, 2006

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WHEN BREATH BECOMES AIR

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular...

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A neurosurgeon with a passion for literature tragically finds his perfect subject after his diagnosis of terminal lung cancer.

Writing isn’t brain surgery, but it’s rare when someone adept at the latter is also so accomplished at the former. Searching for meaning and purpose in his life, Kalanithi pursued a doctorate in literature and had felt certain that he wouldn’t enter the field of medicine, in which his father and other members of his family excelled. “But I couldn’t let go of the question,” he writes, after realizing that his goals “didn’t quite fit in an English department.” “Where did biology, morality, literature and philosophy intersect?” So he decided to set aside his doctoral dissertation and belatedly prepare for medical school, which “would allow me a chance to find answers that are not in books, to find a different sort of sublime, to forge relationships with the suffering, and to keep following the question of what makes human life meaningful, even in the face of death and decay.” The author’s empathy undoubtedly made him an exceptional doctor, and the precision of his prose—as well as the moral purpose underscoring it—suggests that he could have written a good book on any subject he chose. Part of what makes this book so essential is the fact that it was written under a death sentence following the diagnosis that upended his life, just as he was preparing to end his residency and attract offers at the top of his profession. Kalanithi learned he might have 10 years to live or perhaps five. Should he return to neurosurgery (he could and did), or should he write (he also did)? Should he and his wife have a baby? They did, eight months before he died, which was less than two years after the original diagnosis. “The fact of death is unsettling,” he understates. “Yet there is no other way to live.”

A moving meditation on mortality by a gifted writer whose dual perspectives of physician and patient provide a singular clarity.

Pub Date: Jan. 19, 2016

ISBN: 978-0-8129-8840-6

Page Count: 248

Publisher: Random House

Review Posted Online: Sept. 29, 2015

Kirkus Reviews Issue: Oct. 15, 2015

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