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HOSTILE CONTACT

Longer than it should be and convoluted, but redeemed by some brilliant scenes and a thoroughly agreeable cast.

Swashbuckling US Navy Lieutenant-Commander Alan Craik (Top Hook, 2002, etc.) returns to earn the thanks of a grateful nation, not to mention his growing fan base.

Craik is smart, brave, and sensitive too, an outstanding intelligence officer, a steadfast friend, a crackerjack lover. And over the course of nearly 500 pages—a real tribute here—he also manages not to be boring. Except that at the outset of his latest adventure he’s a monumental bore to himself. Having lost two fingers on his left hand in the shootout that climaxed Top Hook, Alan is on medical leave, a period of forced inactivity he finds close to unendurable. In desperation, the self-acknowledged adrenaline junkie pleads with his Navy Criminal Investigative Service buddy, Mike Dukas, for something to alleviate the pain. Mike sends him to Jakarta, sure it will amount to a three-day junket. “Sleeping Dog,” after all, is nine years old and moribund, as close to “a no-risk operation” as a still-open intelligence file ever gets. But, of course, that's not the way it turns out. In Jakarta, Alan goes to a prescribed meeting place in order to contact an agent unlikely to materialize. Wrong, almost fatally wrong. Enter a cluster of agents, US and otherwise. Suddenly there's gunfire, and Alan has to dive for cover, having no idea why anyone would be shooting at him. Now the game’s afoot, clandestine high jinks in which cunning enemies appear in a spooky variety of guises, with good guys uncommonly hard to tell from bad. In the blink of a spy, “Sleeping Dog” has segued into wild and crazy “Chinese Checkers,” an operation packed with risk to life, limb, and, especially important, careers.

Longer than it should be and convoluted, but redeemed by some brilliant scenes and a thoroughly agreeable cast.

Pub Date: July 8, 2003

ISBN: 0-385-33628-4

Page Count: 492

Publisher: Delacorte

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: June 1, 2003

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TO KILL A MOCKINGBIRD

A first novel, this is also a first person account of Scout's (Jean Louise) recall of the years that led to the ending of a mystery, the breaking of her brother Jem's elbow, the death of her father's enemy — and the close of childhood years. A widower, Atticus raises his children with legal dispassion and paternal intelligence, and is ably abetted by Calpurnia, the colored cook, while the Alabama town of Maycomb, in the 1930's, remains aloof to their divergence from its tribal patterns. Scout and Jem, with their summer-time companion, Dill, find their paths free from interference — but not from dangers; their curiosity about the imprisoned Boo, whose miserable past is incorporated in their play, results in a tentative friendliness; their fears of Atticus' lack of distinction is dissipated when he shoots a mad dog; his defense of a Negro accused of raping a white girl, Mayella Ewell, is followed with avid interest and turns the rabble whites against him. Scout is the means of averting an attack on Atticus but when he loses the case it is Boo who saves Jem and Scout by killing Mayella's father when he attempts to murder them. The shadows of a beginning for black-white understanding, the persistent fight that Scout carries on against school, Jem's emergence into adulthood, Calpurnia's quiet power, and all the incidents touching on the children's "growing outward" have an attractive starchiness that keeps this southern picture pert and provocative. There is much advance interest in this book; it has been selected by the Literary Guild and Reader's Digest; it should win many friends.

Pub Date: July 11, 1960

ISBN: 0060935464

Page Count: 323

Publisher: Lippincott

Review Posted Online: Oct. 7, 2011

Kirkus Reviews Issue: July 1, 1960

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THE ALCHEMIST

Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Coelho is a Brazilian writer with four books to his credit. Following Diary of a Magus (1992—not reviewed) came this book, published in Brazil in 1988: it's an interdenominational, transcendental, inspirational fable—in other words, a bag of wind. 

 The story is about a youth empowered to follow his dream. Santiago is an Andalusian shepherd boy who learns through a dream of a treasure in the Egyptian pyramids. An old man, the king of Salem, the first of various spiritual guides, tells the boy that he has discovered his destiny: "to realize one's destiny is a person's only real obligation." So Santiago sells his sheep, sails to Tangier, is tricked out of his money, regains it through hard work, crosses the desert with a caravan, stops at an oasis long enough to fall in love, escapes from warring tribesmen by performing a miracle, reaches the pyramids, and eventually gets both the gold and the girl. Along the way he meets an Englishman who describes the Soul of the World; the desert woman Fatima, who teaches him the Language of the World; and an alchemist who says, "Listen to your heart" A message clings like ivy to every encounter; everyone, but everyone, has to put in their two cents' worth, from the crystal merchant to the camel driver ("concentrate always on the present, you'll be a happy man"). The absence of characterization and overall blandness suggest authorship by a committee of self-improvement pundits—a far cry from Saint- Exupery's The Little Prince: that flagship of the genre was a genuine charmer because it clearly derived from a quirky, individual sensibility. 

 Coelho's placebo has racked up impressive sales in Brazil and Europe. Americans should flock to it like gulls.

Pub Date: July 1, 1993

ISBN: 0-06-250217-4

Page Count: 192

Publisher: N/A

Review Posted Online: May 19, 2010

Kirkus Reviews Issue: May 1, 1993

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